From the purply color of the emulsion side, I will guess T-max 400 or 100. As others said, you need to develop to see the edge printing. There's a good chance it's very usable. I've exposed and developed 20 year old 35mm B&W film that was haphazardly stored with mostly good results, probably a mildly increased fog level. (I've also done this with 120, but there I've sometimes had wrapper offset - print-through from the ink on the back side of the backing paper - and sometimes not.)
From the purply color of the emulsion side, I will guess T-max 400 or 100. As others said, you need to develop to see the edge printing. There's a good chance it's very usable. I've exposed and developed 20 year old 35mm B&W film that was haphazardly stored with mostly good results, probably a mildly increased fog level. (I've also done this with 120, but there I've sometimes had wrapper offset - print-through from the ink on the back side of the backing paper - and sometimes not.)
Glad it turned out all right. Recently, I used 50 year old GAF film, and it looked amazingly good:I've exposed and developed 20 year old 35mm B&W film that was haphazardly stored with mostly good results, probably a mildly increased fog level.
Another vote for TMax100 from me.
After leaving the leader of the "utility" roll exposed to light for a couple of days, it gained a gold-ish iridescence like the clip in OP's image.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?