I found the video I watched: https://www.youtube.com/watch?v=IaCfs5Xb-EI
I toiled for an international wire service for many years starting in the 1950s. It was like we had our own Internet in those days -- we had 2200 machines that could send photos or text to most of the major newspapers and magazines around the world. The machine you saw in the movie could be rigged to take in a 7x9 photo print or a 4x5 negative. The photos and text (the photo service was separate from the news text department) came over a telephone line. Internationally, radio was used. The photos were transmitted via a 7x9 inch print with a photo caption stuck along one side or the other. Most of our clients had transmitting machines, too, so if something big happend in San Francisco and someone wanted a print of a news photo in Tokyo or London or whatever, the newspaper or a local wire service employee could send it. Our motto was "a deadline every minute." Every minute of every day someone around the world had a deadline. Great movie, by the way.
"The Wire Service" consisted of teletype, an audio signal sent over radio waves or telephone lines, which resulted in text or images being output by a mechanical printer. It was a forerunner to the fax machines which became popular in the 1980s. Teletype is still used today.
Most of our clients had transmitting machines, too, so if something big happend in San Francisco and someone wanted a print of a news photo in Tokyo or London or whatever, the newspaper or a local wire service employee could send it. Our motto was "a deadline every minute." Every minute of every day someone around the world had a deadline. Great movie, by the way.
First of all, if this is not the right place to post this, please feel free to move it. I have no idea where to put this.
We just watched a great B&W Jimmy Stewart movie called "Call Northside 777" that was made in 1948. It showed a photograph being loaded onto some sort of rotating cylinder that was transmitted by telephone wires to another newspaper location. Apparently, they still had to develop it on the other end, because the guy had said that it wouldn't take long to get the print because it was a positive.
Does anyone know what process this was? It looked fascinating, especially the shot of the darkroom, where lo and behold hung what looked like a perfect copy of my old Kodak bullet safe light. Everything about the photographic process up to that point made sense to me, except for the guy in the darkroom who had a visor (safe light glare? LOL), and some sort of protective sleeves on his shirt that I would love to have myself to keep chemicals off my arms. The whole process almost looked like some form of early scanning, sorta.
My wife was asking me "you actually recognize those things in their darkroom"? I almost hated to tell her that some of the stuff in my darkroom and two of my cameras are older than 1948. Boy, that will make you feel old. By the way, the guy that was imprisoned, whom Jimmy Stewart was trying to exonerate by means of that photo, was found.....sorry, you'll have to watch the film for that part.
It was called "WirePhoto" and the one that I would see used was supplied by Associated Press. The newspaper always used a cut line that said AP Wirephoto. I think the photo paper used was Kodabromide F2. Medalist paper may have been used also....I learned lots of good stuff hanging around newspaper darkrooms, always by invitation, of course. That was back when most used 4x5 Speed and Crown Graphics.....Regards
And the ones from UPI were called "Telephoto".It was called "WirePhoto" and the one that I would see used was supplied by Associated Press. The newspaper always used a cut line that said AP Wirephoto.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?