I have been in a few juried group shows. I have found that if it's a big show with lots of participants, work tends to get lost (not literally).Sometimes I’ll have a show, if I can find a venue or there’s a group show I can join.
I know, I have been anxiously awaiting word from the MacArthur Foundation.I print my photographs, mount/frame them and hang them at home. I've given some as gifts to friends and family too.
I do have a personal goal of self-publishing a book in 2022, so let's see how that goes.
I've been checking my voicemail, but so far MoMa hasn't called to schedule an exhibition of my work. Maybe I should reach out and see if they've misplaced my number
Nice landscape, Matt.Print or project as regularly as I can.
Digitize a few and share some of them - mostly here.
Give framed and matted prints as gifts.
Participate in the Postcard Exchange here.
Wen the groups I belong in arrange a show, I print for exhibition and join in.
We have a show happening now at the Surrey Art Centre - here is my posting of an announcement: https://www.photrio.com/forum/threa...darkroom-group-the-surrey-art-gallery.188273/
Here is a quick grab shot of one of my contributions to that show:
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I've slowed down on it quite a bit, but in the past have entered work in local art and/or photography shows. I've won a few prizes and sold a few. I've even had a couple of solo shows in small local venues. But mostly it's a challenge of self to see what I can do. I have a number of what I feel are my best hanging on the walls here at home, which occasionally get replaced by newer ones. And I put a lot of my stuff on line, although that's largely a documentation of various travels and events. About 90% of my exhibited work is B&W, darkroom printed. In this millennium most of my travel related photos use electrocuted bits, although there are some occasional film shots, mostly monochrome.
Unless it is public art, artists rarely get to see others enjoying their work (usually in galleries or museums, sometimes in collectors' homes). Most artists I know don't just stash away their work. They want others to see it, they want recognition, they want to sell it (can't make much of a living if you can't sell your art--that's why so many end up teaching). There is a reason an artist's resumé lists the collections they are in, the shows they have had, the publications that have featured their work. Even if the work is given to friends and family, the artist likes to know their work is displayed and appreciated--maybe only when they come by to visit! Hobbyists may be content with putting their work in boxes under the bed, maybe their real interest is in the equipment, not the photos.Builders get to look at the homes they built, and see people move into them. Car makers get to see people buy and drive their cars. But people who make creative, art type stuff rarely get to see any of that. We just make it, then on to the next piece.
Thanks - glad you like it.Nice landscape, Matt.
I can't exactly make out the wall text but I think it says 'gelatin silver print'. What was it shot with?
Also time for me to reorganize prints thematically or chronologically or whatever.
I saw this thread topic on another forum and I thought it was quite interesting and revealing to a certain extent. So I am borrowing the question to post here (if this is even the right category).
What do you do with your photos? Print them? Frame them and fill your walls and those of others? Let them accumulate on your hard drive? Do you post them somewhere on social media, a blog or website? Send or give them to friends, family and admirers?
Do you sell them through a gallery or personal website? Exhibit at art fairs or the like? Do you make any meaningful income from them? Do you take assignments, like wedding or portrait photography? Sell stock images?
Do you submit to competitions, publish books or zines? Take them to portfolio reviews, hoping for some guidance or better yet, some interest from a gallery or other institution?
I just concentrate on making the stuff. That's my one and only job, because the minute you monetize it, you ruin it. Then, once it's made, like all artists and photographers, I shove it under the bed. The whole thing is pretty stupid, isn't it? It's like writers writing and writing, then keeping what they wrote in a locked chest. Thank goodness I only do analog, except for proof scans of negs to see what's there on a tiny 35mm frame. It would be much worse if I shot digital. I do have gallery shows, mostly just to get people's ideas on the work.
Builders get to look at the homes they built, and see people move into them. Car makers get to see people buy and drive their cars. But people who make creative, art type stuff rarely get to see any of that. We just make it, then on to the next piece.
Post it on Flickr and leave the link on your posts as I do. At least someone is looking at them if not The Met. We can enjoy your photos then.
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