jhw
Member
Hello -
I wanted to hear from folks who've used both the Hasselblad 150mm f4 Sonnar and the 180mm f2.8 Carl Zeiss Sonnar for Pentacon 6. I'm curious if - aside from speed - people find a significant difference in not necessarily the IQ, but the signature. I've done my searching...and test charts...and image searches...but the web is so limited in its ability to show a slab of 6x6.
And I've read about one being slightly warmer, one sharper to corners, etc. ...but, though they're the same lens type, the designs are different enough that even smaller nuances in look might be known by those who've shot and printed using both. Again, I know this is almost an apples to oranges...or maybe more like bananas to plantains, but just wanted to see if - in the case of these two lenses - a Sonnar look is a Sonnar look, or if differences in the lens' signatures are discernible. In looking though here/flickr/deviant, etc., I could not see much separation (aside from the depth of field with the 4 vs. 2.8). But I'm wondering if looking at print or chromes tells a different story. So, if length and speed were not a variable in consideration...would you grab one over the other for a look, and if so, why?
Thanks so much for any opinions and consideration...
j
I wanted to hear from folks who've used both the Hasselblad 150mm f4 Sonnar and the 180mm f2.8 Carl Zeiss Sonnar for Pentacon 6. I'm curious if - aside from speed - people find a significant difference in not necessarily the IQ, but the signature. I've done my searching...and test charts...and image searches...but the web is so limited in its ability to show a slab of 6x6.
And I've read about one being slightly warmer, one sharper to corners, etc. ...but, though they're the same lens type, the designs are different enough that even smaller nuances in look might be known by those who've shot and printed using both. Again, I know this is almost an apples to oranges...or maybe more like bananas to plantains, but just wanted to see if - in the case of these two lenses - a Sonnar look is a Sonnar look, or if differences in the lens' signatures are discernible. In looking though here/flickr/deviant, etc., I could not see much separation (aside from the depth of field with the 4 vs. 2.8). But I'm wondering if looking at print or chromes tells a different story. So, if length and speed were not a variable in consideration...would you grab one over the other for a look, and if so, why?
Thanks so much for any opinions and consideration...
j