davido
Member
Greetings,
I've been struggling with the kallitype process off and on for a while now. I have yet to produce a print with real paper whites. I have tried pretty much everything from different types of paper and sensitizer application, 50% humidity during coating, one tray processing, different developers and temperatures, distilled water right after developer, using a ph meter, ect.
I have come across something which may or may not relate to my issue, but it seems worthwhile to mention, especially to those who are Kallitypists out there.
The dry ferric oxalate I've been purchasing from Bostick & Sullivan mixes up fine (eventually) - it's colour is a light lime green.
From my understanding the green comes from oxalic acid - the greener it is, the more oxalic acid.
This apparently can causes problems with the Kallitype process. I found this on a B&S article on their site:
" if one wishes to use [ ferric oxalate containing free oxalic acid] for Kallitype printing where the free oxalic will form an insoluble silver oxalate [Ag2C2O4], sludge that will interfere with the Kallitype process."
They then go on to say that they no longer produce ferric oxalate with free oxalic acid. I'm confused as to why their product is still green and not yellow?
Lukas Werth has suggested (in a few threads on APUG alternative), that " A yellow FO solution is what you want for kallitypes" and that " For kallitypes on the other hand, you want the amber colour, for the acid - presumably also other additions - causes the silver nitrate to precipitate."
I'm guessing that the vast majority of B&S ferric oxalate is sold to those using it for platinum printing, for which the oxalic acid is not an issue. But for Kallitypes it appears to be, so perhaps kallitypists are just out of luck?
So, where does one find a yellow or amber coloured ferric oxalate? And could the apparent oxalic acid , in the powder I've been purchasing, be related in any way to the staining I am experiencing?
David
I've been struggling with the kallitype process off and on for a while now. I have yet to produce a print with real paper whites. I have tried pretty much everything from different types of paper and sensitizer application, 50% humidity during coating, one tray processing, different developers and temperatures, distilled water right after developer, using a ph meter, ect.
I have come across something which may or may not relate to my issue, but it seems worthwhile to mention, especially to those who are Kallitypists out there.
The dry ferric oxalate I've been purchasing from Bostick & Sullivan mixes up fine (eventually) - it's colour is a light lime green.
From my understanding the green comes from oxalic acid - the greener it is, the more oxalic acid.
This apparently can causes problems with the Kallitype process. I found this on a B&S article on their site:
" if one wishes to use [ ferric oxalate containing free oxalic acid] for Kallitype printing where the free oxalic will form an insoluble silver oxalate [Ag2C2O4], sludge that will interfere with the Kallitype process."
They then go on to say that they no longer produce ferric oxalate with free oxalic acid. I'm confused as to why their product is still green and not yellow?
Lukas Werth has suggested (in a few threads on APUG alternative), that " A yellow FO solution is what you want for kallitypes" and that " For kallitypes on the other hand, you want the amber colour, for the acid - presumably also other additions - causes the silver nitrate to precipitate."
I'm guessing that the vast majority of B&S ferric oxalate is sold to those using it for platinum printing, for which the oxalic acid is not an issue. But for Kallitypes it appears to be, so perhaps kallitypists are just out of luck?
So, where does one find a yellow or amber coloured ferric oxalate? And could the apparent oxalic acid , in the powder I've been purchasing, be related in any way to the staining I am experiencing?
David