Wow, I don't know how you found that. I am going trying to pry that cover off now... it is not coming easily.Here's an article about a Spot Sensor II with the same overexposure issue.
http://halflightphotography.blogspot.com/2012/07/light-meter-calibration.html
Or, perhaps, the previous owner re-calibrated the meter to read highlights exclusively for use with slide film/digital.
The first article I sent you was not very specific about the function of the 3 pots in the calibration procedure. Here is a much better description:
http://www.film-and-darkroom-user.org.uk/forum/showthread.php?t=8123
GL
It is without doubt that the Pentax Digital Spotmeter, as used by AA is the most efficient and effective spotmeter for Zone-System work period! They van be found for about $200 used. That said, I'd stay away from the Zone V modified versions, which are typically more expensive without being an improvement.I've been looking for a sub-$100 spot meter, and I just ordered one of these from KEH. Anyone have experience with one?
I so agree. Fred Picker did IMHO a lot of good, Zone VI catalogs were classics, newsletter was a lot fun to read (have the whole set), some of "his" ideas were simple yet effective, I loved Zone VI darkroom enlarging timer, I also appreciate the ingenious use of centering ruler in his matting jig ... then I saw their camera (which immediately brought me to buying Toyo Field), then I looked at that enlarger ... then it was over.It is without doubt that the Pentax Digital Spotmeter, as used by AA is the most efficient and effective spotmeter for Zone-System work period! They van be found for about $200 used. That said, I'd stay away from the Zone V modified versions, which are typically more expensive without being an improvement.
If the Pentax meter is $200 in Germany, then you are lucky.It is without doubt that the Pentax Digital Spotmeter, as used by AA is the most efficient and effective spotmeter for Zone-System work period! They van be found for about $200 used. That said, I'd stay away from the Zone V modified versions, which are typically more expensive without being an improvement.
A quick look on eBay, shows the very bottom is @ $225, and goes up to $550 for a mint-in-box version from Japan. My Zone VI conversion was a bit over $300. One is on eBay now for @ $440.If the Pentax meter is $200 in Germany, then you are lucky.
I think you are looking at "starting bid" prices for $225. I didn't see any that low... although some bidders have gotten them in the mid to high 200s.A quick look on eBay, shows the very bottom is @ $225, and goes up to $550 for a mint-in-box version from Japan. My Zone VI conversion was a bit over $300. One is on eBay now for @ $440.
Amen to securing the meter. I rigged up an old strap with a 1/4x20 tripod screw (the type with a small ring on it) attached. I never use a spot meter without it. That's also one of the things I always liked about the Gossens.Very useful discussion on these meters!
...
Always use the handstrap or the holster that Zone VI used to sell. If dropped and the prism is displaced separate the plastic shell sides and gently replace it in the molded socket with the spring holder in place. There is a screw in the battery compartment, I think one cross screw, and you have to loosen the knurled lock nut that the eyepiece screws in and out of to focus. Just turn this knurled nut CCW using padded pliers until it's a little loose and it will release it's clamp action on the two halves of the shell...
I agree with your sentiment regarding extreme precision being unnecessary. If extreme precision were required, I would probably have to stop shooting.Very useful discussion on these meters!
My main contribution is to underscore that the weakness with this meter is that the prism inside will jump out of place and stay out of place if you drop the meter. Usually just replacing it in its socket inside fixes the problem. I've bought several Soligors that were "not working" on eBay for <$20 when this is all that was wrong. In one case only the prism cut into the wiring inside the moving coil meter itself which made it unrepairable. The other parts could of course be recycled if needed.
Always use the handstrap or the holster that Zone VI used to sell. If dropped and the prism is displaced separate the plastic shell sides and gently replace it in the molded socket with the spring holder in place. There is a screw in the battery compartment, I think one cross screw, and you have to loosen the knurled lock nut that the eyepiece screws in and out of to focus. Just turn this knurled nut CCW using padded pliers until it's a little loose and it will release it's clamp action on the two halves of the shell.
These are great meters that I've used for decades. They're a little bulky but other than that just fine. I have both the analog and the digital meter versions and I use them interchangeably. Essential for zone system work. Just do the film speed and development time tests as Picker taught and you'll be fine.
I can see no significant difference with Fred Pickers touted correction. It's a filter in a little cover that fits over the sensor. Zone VI also glued in an O-ring believe it or not inside the lens opening inside the meter obviously for some added light baffling. They may also have painted in a little bit of anti-reflective black paint.
I found I could.increase the linearity of my meter by increasing it's sensitivity one stop which meant I just had to double my ASA to compensate. So I'm shooting 100 ASA film with the meter set at 200 ASA and I get very acceptable linearity down into the low values.
Extreme precision in metering in the field is not necessary IMO. I say it's not even possible with moment to moment fluctuations between metering and exposure. I've found the Soligor to be more than up to the task.
I do routinely check negative densities in sky and shadow to get early warning of weakening chemicals or variations in film speed. I check my field log to see what the sky and shadow placements were by zone and just screen them in a couple minutes as I process film. This validates the entire process. Essential with a new batch of chemicals or a fresh box of film. I put a washed, still wet negative in a mylar 4 X 5 holder and read the density with densitometer. (Plenty of these on eBay with the demise of commercial film usage.)
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