Caution: Semi long post.
I recently acquired a Jobo CPP2 system (along with some other goodies) for a reasonable price and am weighing the possibility of resale vs. getting into the mail order film processing business. To that end Im curious about your view of your personal usage of E6 & C41 materials for the next 5 years.
I am not new to color processing and process control as I have 8 years experience in C41 from late 80s to early 90s. Although those systems were continuous, replenished systems. The last half of that was in my own mini lab, so Im pretty familiar with that end of the film business.
My challenge will be getting up to speed on E6 and deciding how to approach chemistry management in both cases; 1-shot or replenished. Ive been reading as many old threads as possible on APUG to get a feel for the particulars. It seems the balance between convenience and cost savings is more or less leveled out by the time involved. While I understand the difference between seasoned/replenished systems versus 1-shot w/starter in the mixes, Im having trouble getting my head around the terminology manufacturers use to denote their various products and which is meant for a high-volume system and which for low volume production lines like Im anticipating for myself.
Ill be able to handle anything up to 4x5 in the Jobo and will be looking to expand that. One wrinkle I see is slide mounting. At present I dont have any set-up for that and dont plan to add that capabilitythough Im open to rethinking that if needed. I do have an Epson 3200 scanner and will probably include a contact sheet scan. I will not be doing color printing on silver-based materials, and I havent given much thought to offering color printing from digital.
My question to all of you is; do you feel inclined to respond if I create a short, 10-question poll on Survey Monkey asking about your film and service usage as it relates to you for the next 5-7 years? I thought that would be easier to deal with than creating a monster thread here. I also encourage further discussion here as well. Thanks.
Steve Giesel
E6? I was fortunate enough to be able to pick up several hundred rolls of Ektachrome E100G and VS (both in 35mm and 120 formats) over the course of the last several months (perhaps 700 rolls total?). At current rates, this stash should last me 18-14 months. Thereafter, I am not certain whether I will start shooting Provia/Velvia or just give up on colour work. To date, I have been sending my E6 to Dwayne's; I have a batch (60 rolls?) that I will have processed locally (ABC Color) to see how well the locals do.
but there is no one
local who will process color bigger than 35mm and i really don't want
to deal with shipping &c ... or using color chemistry here at home ...
I think the biggest challenge will be digitizing the processed film. I have the film, I have the chemicals, and I have enough cameras to last until I die, but if my Nikon Coolscan 5000 ever dies I will be one sad monkey.
My plans for the foreseeable future are as follows:
I will certainly go on using slides;
I am considering adding colour negatives. I still have to make the first developments (my kit is still sealed). I have some 10 or 15 colour negative rolls to develop and examine.
I am attracted to negative film for the greater exposure latitude, and as a ready back-up in case slide film becomes too expensive.
I am deterred from negative film by the filtering issues and the scanning issues (noise in the highlights).
I plan making "film profiles" of each negative film before scanning. That requires shopping for a slide duplicator which I should do this winter. Until then my considerations regarding long-term use of negative films will be withheld.
I suppose in any case that slide film will remain my preferred medium and that negative film will be confined mostly to high-brightness-range situations.
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