scheimfluger_77
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And Joy!!!Gulp. I've seen the future. It has some heartburn.
The magic of watching the image emerge in the developer is worth it just on its own.
Welcome to the club!
Nice to see OP in the darkroom!
It takes long time from first printing to confident printing.
I'm on my third year and only now I could say - this frame is easier to print instead of scanning.
It certainly is.and magic is is !
Well... strictly speaking, it isn't photography. One doesn't normally hold up and point a photographic scanner at an original subject and then tell that subject to stand really, really still.
mark:
why talk about reality when it is so much easer to talk about other things.
if a process camera and a scanner are sort of the same, what's this ?
http://petapixel.com/2015/05/26/ele...ng-photos-with-the-xerox-photocopying-process
Yawn, here we go again.Well... strictly speaking, it isn't photography. One doesn't normally hold up and point a photographic scanner at an original subject and then tell that subject to stand really, really still.
Rather, it's one step in a hybrid process of photographic reproduction that often targets computer monitors as its primary viewing mechanism. Other forms of reproduction might also include newsprint, magazines, fine art books, postcards, inkjets, and yes, even silver prints. All of which may also include a scanning step.
However this being APUG, our main focus here is on darkroom silver prints created without the use of hybrid scanning steps. Given that, it should not come as a surprise that members here may look upon scanning for primary reproduction as not being a part of the traditional photographic process.
After all, the membership of many online sites that specialize in digital reproduction methods are quite vocal in their opinions that traditional darkroom methods of photographic reproduction have nothing at all to do with modern photography.
And being the congenial and understanding APUG members that we are, we do not directly challenge their beliefs. Especially from within their own discussion groups. That would be rude.
Ken
Scanning ain't photography.
Total BS. It may be a tool you choose not to use, but certainly is.
Well... strictly speaking, it isn't photography.
You guys are entertainingly predictable in leading with your personal prejudices and axes...
My post had nothing to do with poor definitions. It had everything to do with poor behaviors.
Ken
All I meant was the entire photographic process the original way is a respite from the computer.
You have a very talented cameraYou have a very talented computer!
Total BS. It may be a tool you choose not to use, but certainly is.
All I meant was the entire photographic process the original way is a respite from the computer. Everything in life now seems to go back to the computer.
I hope you don't mind that I bolded the part I saw as very important. +1The problem with these conversations is people devolve into trying to contradict another's opinion instead of just stating their own and leaving it at that. Opinions are not facts.
Personally I find darkroom work to be more enjoyable. I think it is because I moving around doing something. Sitting in front of the computer is getting really old after doing it for two decades. I have two digital projects I have been working on for years now and they are just about at an end. For the life of me I just can't bring myself to do the editing and subsequent Photoshopping. On the other hand I decided recently that I should at least proof all of the images that I never got around to printing since I started photography 20 some years ago. Last time I looked I had over 500 images in a collection I made for the purpose in Lightroom. To that end I picked up a second enlarger (a Focomat) to speed the process up, and have printed probably 100 so far. It has been an easy and enjoyable process. I have spent 40 hours or so in the darkroom in the last couple of weeks but zero time editing the digital stuff.
To get back around to the OPs original idea, usually negs that scan well are too thin to print well. The danger if you proof your images by scanning them is not realizing that until it is too late, which is easy to do. Usually negatives that are very difficult to scan (too thick) will print well so that is the side you want to err on if you are using scans to proof for the darkroom. There is almost no such thing as a neg that is too thick to print.
After all, the membership of many online sites that specialize in digital reproduction methods are quite vocal in their opinions that traditional darkroom methods of photographic reproduction have nothing at all to do with modern photography.
And being the congenial and understanding APUG members that we are, we do not directly challenge their beliefs. Especially from within their own discussion groups. That would be rude.
Ken
You have a very talented camera
You have a very talented lens
You have a very talented film
You have a very talented film developer
You have a very talented tank manufacturer
You have a very talented enlarger
You have a very talented safelight
You have a very talented enlarging paper
You have a very talented enlarging lens
You have a very talented paper developer
You have a very talented stopbath
You have a very talented fixer
You have very talented air
...
They are?
me too !Which is fine with me.
They are?
I'm glad I don't read those forums then. So far every digital photographer (who is actually fairly serious about it as a form of artistic expression, not snapshooters) who find out I do film and darkroom work find it pretty cool and tell me either that they miss it, would like to do it or like to have time for it, or in one case that they think it's really cool but they could never do it and don't have the patience for it. I haven't run into these "have nothing at all to do with modern photography" folks.
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