Current E6 stabilizer is a wetting agent plus a biocide to protect dyes from "hungry bugs".
So, when are you guys applying one or the other (or both) when developing film or paper?
Isn't it also a proper stabilizer? E6 being a CD-3 based process requires a stabilizer for decent longevity of the dyes.
Hi all,
I have to admit that Ive been under the impression that these where pretty much the same thing... Mainly because I use stab at the end of the E6 process and a wetting agent at the end of black and white reversal process (and regular black and white) I just assumed they served the same process.
However, browsing these products it seems to me I shouldnt assume (which I do too much anyway). So, when are you guys applying one or the other (or both) when developing film or paper?
Cheers
Peter
I used it mostly with old Emaks Varycon (fiber) that didn't change colour in Selenium toner, and also with RC paper.@JPD with what kind of paper did you use Sistan?
I assume using a toner would replace wetting agent/stab?
Thanks. Do you ommit the wetting agent when toning or using stab?I used it mostly with old Emaks Varycon (fiber) that didn't change colour in Selenium toner, and also with RC paper.
For RC paper I don't trust the "just wash for five minutes after fixing" recommendation. Too many RC prints got yellow spots within a couple of years after using that method, so now I either tone or use stab.
What did they change in C-41 films to be able to omit a stabilizer?
@koraks do you know why E6 films in particular do benefit?
Thanks koraksIt's explained in that thread @halfaman linked to. Look for the posts by @Photo Engineer. E6 dyes were apparently never reformulated to give good longevity without a formalin treatment. I don't know the specifics other than that.
Sistan/Adostab contains a wetting agent already, to avoid drying marks on glossy paper or film, since they are dried after the stabilizer bath.Thanks. Do you ommit the wetting agent when toning or using stab?
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