railwayman3
Member
- Joined
- Apr 5, 2008
- Messages
- 2,816
- Format
- 35mm
That's literally the only thing I can think of, yeah. But what I don't get is why it's that pronounced only on specific frames. My working theory now is that somehow, light from the viewfinder (or lens) that normally gets into the camera and is blocked by the felt on commercially loaded canisters somehow wasn't by these. I'm going to double check when I get home, but I have a theory that it's going to be more pronounced on frames that were shot when I was outside in bright sunlight, and that the darker ones are on frames where the film "sat still" inside the camera. If I took several frames in quick succession, I'm thinking those are the ones that are okay.
That was the sort of suggestion that was coming to my mind as I read through the thread, i.e. some very small light leak, not sufficient to affect a frame when it passed through the camera quickly, but sufficient to build up to cause fogging where the film sat still in the camera during breaks in shooting...particularly if the camera were in bright sunlight.