I don't see how a chelating agent in the final wash can prevent deposits of minerals upon drying. I don't use anything in the wash but what comes up from my well. I squeegee most of it off. If there were a problem, I would use distilled or rain or dehumidifier water, which are less likely to have dissolved minerals, in the final rinse. Calgon or EDTA may prevent precipitation in developer solutions, but the minerals are still in the water in addition to the chelating agent and remain on the film after drying.Lee L said:So is there a recommended amount of Calgon per liter of hard water for a final wash, or is that dependent on the concentration of calcium-magnesium carbonate in the water? I've now live in the only location of 7 where I've processed film that leaves a spiderweb of calcium deposits on my film unless I use something other than tap water. I'm currently experimenting with a cheaper local spring water at 10 cents/gallon rather than the river sourced tap water I've been distilling one gallon at a time. I'd like to try tap water + Calgon for washing if that will work, then a final rinse in either spring or distilled water with Photo-Flo or LFN.
If you drive past our city reservoir, you can see a large pumping station with a white sludge pond where they try to get some of the minerals out of the water, but apparently a lot of it remains.
Thanks,
Lee
Lee L said:So is there a recommended amount of Calgon per liter of hard water for a final wash, or is that dependent on the concentration of calcium-magnesium carbonate in the water? I've now live in the only location of 7 where I've processed film that leaves a spiderweb of calcium deposits on my film unless I use something other than tap water. I'm currently experimenting with a cheaper local spring water at 10 cents/gallon rather than the river sourced tap water I've been distilling one gallon at a time. I'd like to try tap water + Calgon for washing if that will work, then a final rinse in either spring or distilled water with Photo-Flo or LFN.
gainer said:Chlorine softens the emulsion. I noticed that if I left a print in the wash water it would keep its emulsion on longer here in my well water than in the chlorinated water I had in the city. That city water was hard also, so I'm pretty sure calcium and magnesium content is not the difference.
Maine-iac said:If you use the tap water plus Calgon, you shouldn't need a subsequent rinse in Photo-Flo. The Calgon will do essentially the same thing; by softening the water, it will run off the film more evenly. Or if you really want, just add your photo flo to the Calgonized tap water.
I used about a teaspoon of water-softening crystals per liter of tap water. This can be re-used quite a number of times. If your film is washed, no contamination occurs; it's just for dunking a final time to get the water to run off the film while drying without leaving calcium deposits behind.
Larry
dancqu said:The sodium and ammonium-silver-thiosulfate complexes are
soluable and will wash out. There may be impurities in wash water
which form insoluable silver-thiosulfate compounds which can
precipitate in the emulsion.
If in doubt of water quality ALL post fix washing should use
distilled water. Dan
By the time the prints have sat in the washtub overnight, the difference in temperature can't be much. Our city water was right cool in the winter anyway. If you are afraid of my anecdote, you can test it yourself. That's what I do.Kirk Keyes said:OK - so it is just anecdotal speculation on your part and not the result of any definitive testing.
Did you compare the temperature of the water to make sure that it is not the cause. I suspect that your well water may be cooler than city water that is sitting around in tanks above ground (warmer at least most of the year).
Kirk - www.keyesphoto.com
gainer said:That's strange. So does my copy. But what does it say about calcium carbonate? What if the heating, combined with the CO2 in air and water, changes the sulfate to the carbonate?
gainer said:You do know, I'm sure, that if you want to remove the emulsion from its base in a hurry, you need onle immerse it in a Clorox solution. Chlorinated water is just slower.
We have at least two uses for water. we use it to dissolve developing agents and we use it to wash developed and fixed materials. Sometimes we even bathe in it. I don't worry about calcium in the wash water. I don't even worry much about residual sulfate or thiosulfate since I read about findings that a little of that left in prints may make them last longer. The only reason I might have to boil water (other than to keep busy during childbirth) is for mixing developers.Ole said:That's not the problem. The problem is that cold water is saturated with calcium sulfate, it will precipitate as the temperature increases. Most other substances will dissolve as the temperatures go up, but gypsum will not.
With the sulfite and thiosulfate we add to the wash water, the sulfate concentration in the wash will be high enough that it is a real problem if the water is hard. Both sulfite and thiosulfate will oxidise to sulfate, BTW.
Bubble MORE CO2 through it, and the solids dissolve again as the pH rises from increased H2CO3 (CO2 + H2O). Some stalagtites are formed by CO2 escaoing from the water, giving a drop in the pH whick leads to CaCO3 precipitating.gainer said:... You could clear most of the calcium and magnesium out of hard water by bubbling CO2 through it...
I have no answer for that question!gainer said:I have forgotten why we were being so scrupulous about this. Hav we come across some ruined photos by past photographic geniuses who did not know all this chemistry?
My 2 cents worth: I live in an area where the water is hard (dissolved limestone). I used to be scrupulous about using filtered water (Brita filter jug, I think this is activated carbon), but when I went to a 15-ilter tank line for film processing, laziness got the better of me and I used straight tap water. I have seen no difference. I finish all sizes of film by putting a few mil of washing agent in the final wash water (tap water). The amount needs to be such that there is a unbroken film of water on the photographic film when you lift it out of the water, too much and suds will form. I virtually never experience drying marks. I take care to hang the film slightly off the perpendicular so that water drains to the edges.gainer said:I have forgotten why we were being so scrupulous about this. Hav we come across some ruined photos by past photographic geniuses who did not know all this chemistry?
m_liddell said:I've had a terrible time with tiny particles on my negs. I now use distilled water for the dev and the final rinse, but even at 8x enlargment there are some white spots in the print. My early negs are so bad I had to scan them in the end.
The distilled water costs are killing me (£3.50 for 5L), and I can't find it anywhere else. Going to try the supermarket bottled water instead.
The only thing saving my prints right now is I never enlarge 8x from 6x7 negs but I've had to pretty much ditch 35mm since I cannot get a clean 8x10 print.
Any advice would be great!
gainer said:What is left to combine with the sulfate ions? If there is enough heat, you may evolve SO2. I don't know. But I do know that heating hard water in the presence of air leaves a precipitate. I doubt that you have free sulfate or sulfite ions. Sulfurous acid with heat gives of SO2 and leaves water behind or sends it off as steam.
m_liddell said:I've had a terrible time with tiny particles on my negs.
[...] Any advice would be great!
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