Hi all,
I have been developing film for a while, about two years now and everything has been ok, I try to improve all the time. I am currently helpless, because I cannot understand why I am suddenly so bad at negative handling, so I am trying to figure out what I am doing wrong and I hope you can give me some feedback and share your experience.
I have water marks I cannot clean effectively even with alcohol and shiny side of the film that scratches very very easily, even when I just insert the negatives in the folders. I recently started using some wetting agent (Mirasol) and I never squeege the film or touch it at all when wet. Still...run out of thoughts on what can I do better. My question is: can wetting agent 1+400 be the cause of stronger, more stubborn marks when the film is drying?. I did some search here on APUG and found many different opinions, but I´d like to have some input as how did you reach a good, clean framework to get spotless negatives.
I don´t know about you, but I find these problems the most frustrating part of film photography.
Appreciating your help and patience with beaten subjects.
Mauro
I have been developing film for a while, about two years now and everything has been ok, I try to improve all the time. I am currently helpless, because I cannot understand why I am suddenly so bad at negative handling, so I am trying to figure out what I am doing wrong and I hope you can give me some feedback and share your experience.
I have water marks I cannot clean effectively even with alcohol and shiny side of the film that scratches very very easily, even when I just insert the negatives in the folders. I recently started using some wetting agent (Mirasol) and I never squeege the film or touch it at all when wet. Still...run out of thoughts on what can I do better. My question is: can wetting agent 1+400 be the cause of stronger, more stubborn marks when the film is drying?. I did some search here on APUG and found many different opinions, but I´d like to have some input as how did you reach a good, clean framework to get spotless negatives.
I don´t know about you, but I find these problems the most frustrating part of film photography.
Appreciating your help and patience with beaten subjects.
Mauro
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