So, given that it is simply not possible for me to provide running water at the same temperature as the chems, should I forget running water as a wash method?
Alternately let the temperature drift down very slowly to the tap water temperature, wash times lengthen as it gets colder.
Ian
Hi, that would certainly be my approach if I had the facility to run a 20degC running water wash, but I don't. I also don't know whether I'd easily be able to check for micro-reticulation by that means, so I want to start by asking for the consensus view of what's possible using cold running water, then test for residual hypo etc to confirm it.paul
why don't you shoot 2 test rolls,
and run a test.
one roll with a no so cold water wash
and one with a cold water bath.
sometimes a simple test will tell you
what will + will not work for you .
Ian, does this mean I could start the wash with 20degC water from a jug and then slowly introduce the running water to avoid the shock and reticulation? Would it be ok to complete the wash with cold water having reduced the sharp temperature change?
Paul
I'd let the water in the tank cool down first, in a water bath - bucket of cold water.
That sounds pretty simple to incorporate into the workflow - just fill the dev tank with tempered water after the fix, stand it in a water bath filled straight from the tap, leave to stand for 5-10 mins to equalize temperature then transfer to film washer for washing in cold water.
Sound OK?
You missed the important step, have a cup of tea while it cools
Ian
Hi, that would certainly be my approach if I had the facility to run a 20degC running water wash, but I don't. I also don't know whether I'd easily be able to check for micro-reticulation by that means, so I want to start by asking for the consensus view of what's possible using cold running water, then test for residual hypo etc to confirm it.
At one time I'd have agreed with John about the water temp being fairly unimportant until another APUG member processed a couple of rolls of Tmax400 120 in my dev tank, with my developer, thermometer, timer etc - his perfectly exposed & developed negatives were excessively grainy, he hadn't controlled the fixer or wash temperatures.
Ian
I have been lax in controlling my fix/wash temp and have on occasion noticed this as well, also with tmy2, Ian....
Next processing session will test my new washing routine.
It's an area people pay least attention too, then they wonder why someone else is getting far sharper/finer grained images with the same film/developer combination.
The issue becomes greater if or when you have to process at higher temperatures because the emulsion swells more. But in practice I find it far easier maintaining a constant temperature here in Turkey than I do in the UK, because the water temp is so stable.
The grainy TMY shots I saw where unusable, 2 or 3 rolls of film wasted.
Ian
... I've been unable to get a source of running water which can be stabilized at ~20degC, so was wondering if there was some rule of thumb about how long to wash film for if the temperature is low - say down to 4 or 5 degC? ...
Helen Bach & I discussed it here on APUG quite a long time ago (she doesn't post any more) it may have been in one of the older lost articles (threads). Most fine art/professional photographers run very tight temperature control over all their processing, many use temperature control mixers on there water supply, (more so in the US than UK).
The shock factor certainly plays a big part, but at what stage it's worst probably depends on the film/developer/fixer combination as well.
Modern books seem to neglect this area, but older books and particularly magazine articles would give far greater stress to overall temperature control, and gentle reduction if using colder running water for washing.
Ian
I have an Intellifaucet plumbed in but I'm temporarily without a darkroom hot water supply apart from that direct to the Jobo and a kettle.
http://www.hassmfg.com/search.pl/1279640236-7641?keyword=1092&submit=Search
Tom
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