Isn´t Ilford offering a warm version of MGIV? Together
with the Ilford Warmtone Paper developer it should fit your needs.
If you are searching for a really warm picture tone, try some papers
from the East-European manufacturers like Foma (Fomatone),
but you should know that this paper has somehow yellowish whites
and is not as bright as Ilford´s.
Greetz, Benjamin
I guess it would be nearly impossible to get a really warm tone out of it.
Tone usually depents on the size of the molecules of the silvercompounds,
the smaller they are, the warmer the tone gets.
Don is right ,
toning MG4 will warm up the paper.
I love using MG4 and split toning with bleach Sepia, Gold and other toners.
Using a cold paper is in fact the best route to go for rich blacks and subtle mid and highlight warmth.
I use Ilford Warmtone for images for selenium toning only as I find when I tone a warmtone paper it goes to vivid for my tastes.
A 1 min 1-5 selenium tone on Ilford Warmtone is my prefered method using this paper.
Using Ilford's PQ Universal developer will give slightly warmer tonality than Ilford's Multigrade or Kodak's Dektol developers. It's subtle, but it's there. It's also a tad cheaper, btw.
I've purchased Tim Rudman's "The Photographer's Toning Book", and am going to start down that road. The non-smelly sepia toner formula ingredients (and most of the other chems) are available from Photographer's Formulary.
Hi, try a light sepia by using only a partial bleaching, ie cut down time in bleach, before toning. See Michael Kenna, or William Scott photographs for example.
I was never able to get it 'warm', just a rich chocolaty sort of dark-brown black with a good long selenium tone.
It sepia tones well though if you use the two-bath bleach-first one that smells bad.
Their actual warm-tone paper is so nice in kodak's polytoner. It's a shame that 1) it's not made any more and 2) i can't afford the ilford wt anyhow.