Sold Voigtlander Superb TLR 1935

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Oldwino

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Here’s a real classic - the Voigtlander Superb dates from 1935, and was Voigtlander’s answer to the Rolleiflex. They went all-out on this design, and it has many notable and advanced features: horizontal film transport, lever wind for advancing the film, a frame counter, level built into the viewfinder, automatic parallax adjustment as you focus closer, and a Skopar (tessar) 7.5cm f3.5 lens built into a Compur shutter with a top speed of 1/250. The shutter speed is read out from an ingeniously designed prism that makes the speed readable from above.


The camera was serviced and cleaned before I purchased it, and it works great. The ground glass is clean, but is missing a tiny sliver in the lower left corner (which doesn’t interfere with focussing and composing at all) and some chips along an edge. The mirror is clean and bright. The shutter accurate at all speeds. Aperture smooth, as is the focusing. Film transport is pretty foolproof - there is the aforementioned frame counter AND a red window to verify.


All-in-all, a very interesting camera to use, and every bit as good as its contemporary, the Rolleiflex. The lens makes nice, crisp, sharp images.



Comes with two push-on filters - a UV and a Yellow. I don’t know about the collectability of these cameras (I don’t collect, in spite of what my wife seems to think), but this is a very clean, fully functioning example that can be used or admired.



Asking $600 including insured shipping. CONUS only, please.


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Cholentpot

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Horizontal transport? Is this the only TLR that has this feature?
 

darinwc

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I just bought one of these recently, but it needs work on the focus and shutter.

*Also note that it is the only TLR with built-in parallax correction!
 
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Oldwino

Oldwino

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Rolleiflex??
I think Rollei implemented their correction in the 1950s? But I may be wrong about that. I am also relatively certain that Rollei did not have parallax correction on their cameras in 1935.
On the Superb, the viewing lens actually tilts downward as you focus closer.
 

markjwyatt

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The Mamiya has a red line at the top that signals the top of the frame right?

The Superb actually moved the top lens or mirror assembly so you get a true 1:1 view.

Got it. Automatic. Thanks
 
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I think Rollei implemented their correction in the 1950s? But I may be wrong about that. I am also relatively certain that Rollei did not have parallax correction on their cameras in 1935.

This is not correct. I have two Art Deco Rolleicords, which were made from 1933 to 1936. Both have parallax correction. F&H made the correction by a screen in the viewfinder that moves with focus to approximate what the taking lens is seeing. For closeups, F&H also sold a Rolleiparkeil that made further parallax corrections when Proxar closeup lenses were fitted on the camera. After WWII, F&H combined the Proxars and Rolleiparkeil into the modern Rolleinar lens sets.

Voigtlander, as already noted, made the correction by tilting the viewing lens. Neither system is perfect. But both do a good job of approximating what the taking lens is seeing.
 
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Oldwino

Oldwino

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This is not correct. I have two Art Deco Rolleicords, which were made from 1933 to 1936. Both have parallax correction. F&H made the correction by a screen in the viewfinder that moves with focus to approximate what the taking lens is seeing. For closeups, F&H also sold a Rolleiparkeil that made further parallax corrections when Proxar closeup lenses were fitted on the camera. After WWII, F&H combined the Proxars and Rolleiparkeil into the modern Rolleinar lens sets.

Voigtlander, as already noted, made the correction by tilting the viewing lens. Neither system is perfect. But both do a good job of approximating what the taking lens is seeing.

Thank you for the clarification!
 
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Oldwino

Oldwino

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