- How might I clean it?
- What is okay and not okay to use?
- Is compressed air ok to use?
- Isopropyl alcohol? Or just soapy water? Or is that bad? The lettering and number is engraved but the white paint is fading or rubbed away — I do not want to damage that any further.
- There is white dust inside the bellows on the backside of the shutter -- what is it and how to remove. Photo attached.
- The mirror on the viewfinder is spitted and pitted can that be replaced or cleaned?
- Are there any parts that need lubrication? It slides a bit stiffly along the rails. But does move.
- Do I need to do anything to the bellows to keep them in pristine condition?
- I would really like to clean and polish the chrome parts so they shine again. No real rust but they are dull.
- How would I deal with rust of there is any?
Finally — the shutter cable release that came with it worked for two presses and then gave up the ghost. I was not surprised as the fabric is almost 100 years old.
- Can I use a modern cable release?
- Is the threading the same? (I guess I could get one and find out.)
- Do you have any suggestions for a cable release for this old of a camera?
Don't use alcohol on any important painted parts. It might be okay, might not, depends on the paint. A damp cloth might be all you need for most of it. Foam q-tips are helpful. Don't use alcohol on leatherette or bellows.
I've used neetsfoot oil on leather, leatherette and bellows, it hydrates, darkens, and gives it shine. Use in moderation.
The white dust looks like corrosion or paint loss.
The brilliant style viewfinders were not very good even when new. I'd ignore it and use the pop-up finder.
I think you can clean the rails and use some graphite powder.
There is a product called Rustoleum Rust Reformer that converts rust. I don't see any on this camera though.
I don't know what sort of cable release thread it has, but my 30's Voigtlander Bessas have a normal one. Even if the thread of your release is unusual, I think you can still trigger it by inserting any thin metal rod into the hole.
On that note — any suggestion for film? I plan on shooting architecture mostly while I learn the ins and outs. And perhaps some portraits of my daughters.
The lens will be relatively low contrast, so I'd go with slide film or Kodak Ektar for color, and something punchy for black and white, like Ilford Pan F, FP4+, or perhaps push one of the 400 speed films one stop.
You could see about locating a push-on filter holder for it and mount yellow, orange, red filters to help with contrast. It could also help to have a lens hood.