If you ask me, in many ways this is the better way to control converging verticals. For example does one want to spend 30 minutes in the field setting up the shot, or 30 minutes in the darkroom setting up the enlarger? How about the sky? Doing it this way does not darken the sky as the sky will be farther from the enlarging lens. How about resolution? In this method the camera uses the center, high resolution portion of the image field. In my print the top of the bridge is just as sharp as the rest of the image. And, of course the grain is sharp over the entire print, due to tilting the enlarging lens (Scheimpflug principle).