Light leak, or oxidation during the development process causing uneven development, the neg was not submerged.
If they're not *exactly* aligned between the neatives this could be related to the structer of the "ridges" on the bottom of your tray. Do you develop emulsion side down? How do you agitate the film? Can you post the scans of both negatives?
Was the negative with the more visible streaks allowed to sit in-camera (with the slide withdrawn) for a longer period of time than the negative with the less visible streaks? Might be an indirect clue.
Ken
Was the negative with the more visible streaks allowed to sit in-camera (with the slide withdrawn) for a longer period of time than the negative with the less visible streaks? Might be an indirect clue.
Then that may in itself be an indirect clue...
If the duration the dark slide was pulled was unchanged, and light direction and intensity falling on the camera was unchanged, and camera position between negatives was unchanged, and the nature of any light leak was unchanged, then the location and intensity of the fogged portion of the negatives should have been identical.
That they are not identical thus may point away from a light leak in the camera or holders as being a cause. Unless of course one of the other constraints also changed.
We are also conditioned to always think in terms of the obvious. It may be worthwhile to think outside the box. When the holders were loaded, was the room/bag completely dark? Was the box containing the sheets in a fixed open position? Were the sheets laying emulsion side up? Were they picked up for loading at varying intervals?
Ken
These two negatives in question were from another opened box of film from that lot which I hadn't tried before. I think this is the "outside the box" part that I overlooked. When I can, I will try a couple more from the box...see what happens..and update here.
Good idea.
Maybe also take a sheet (preferably the very next one from the same side of the stack in the open box you previously loaded from) and develop it immediately, without even a trip to the holder or the camera, thus factoring those variables out entirely.
Perhaps even overdevelop it on purpose to tease out any fainter defects since it would have lived deeper in the stack.
Then see if it shows the same telltale fogging pattern.
Ken
What film is it? I once purchased a box of inexpensive Arista printing paper and about half of the 100-ct box had some kind of weird pre-exposure shape. It was indeterminate just what had caused it. It was pre-purchase as it was the same on many consecutive sheets.
I bring that up to say that if it lesser film being used then quality control may be lacking and chalk it up to spend a little more next time. Again, not knowing the film used here.
I tray developed two 4x5 negatives of the same shot and ended up with wide vertical bands as you may be able to see in this example. At first I thought it was the scanner, but looking closer, I realized it's in the negatives. Each has the same bands in the same areas. Leads me to believe it's exposure somehow. I don't see how otherwise two negatives could end up with the same bands after tray processing. Each negative was developed separately.
View attachment 100055
What film is it? I once purchased a box of inexpensive Arista printing paper and about half of the 100-ct box had some kind of weird pre-exposure shape. It was indeterminate just what had caused it. It was pre-purchase as it was the same on many consecutive sheets.
I bring that up to say that if it lesser film being used then quality control may be lacking and chalk it up to spend a little more next time. Again, not knowing the film used here.
Are you using a camera with a focal plane shutter?
I would skip the camera completely and develop the film without exposure, same way & see if it is the film itself, like post #15.
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