I usually shoot landscapes and found it pretty good for snow scenes, spring foliage, green forest scenes, etc - if the light was overcast. I also liked it for dusky city and town scenes (like this one). For fall colors it could range from okay to appalling. For the typical 'golden light' Velvia landscape shot, or 'magenta twilight' Velvia landscape shot, it all seemed to depend on the colors, contrast etc. present in the scene. The stars really had to align to get something I was excited about in those conditions, but it could be okay. I was really glad when Velvia 50 was reintroduced, because I wasn't wild about Velvia 100 no-F either. I've got a few rolls of 100F in the freezer that I use for gray-ish city scenes in cloudy light, where the film behaves predictably enough.