The idea of fill flash is almost always to produce a fill flash that is less than that of the film speed to fill in shadows and provide a sparkle in the eyes of a portrait subject without overwhelming the ambient light portion of the exposure.
If you need to fine-tune the sensor-auto flash output, simply adjust the film-speed setting on the flash.
Example: With ASA 100 film in the camera and the meter set to ASA 100, the shutter set to 1/125 second (assuming that’s within the shutter’s synchronization), and f/8 set on the lens aperture, set the film speed on the flash to ASA 200. Then the flash portion of the exposure will produce approximately the correct amount of light for an ASA 200 exposure. This is refereed to as a minus one-stop fill.
Since the film speed sequence on the flash is in 1/3rd-stop increments, you can set the flash to produce minus 1/3, 2/3, 1, 4/3, 5/3, . . . stop fills as wanted.
Not all the auto flashes work that way. Most when you change the ISO the f/stop changes in a way that the flash would work exactly the same.
The idea of fill flash is almost always to produce a fill flash that is less than that of the film speed to fill in shadows and provide a sparkle in the eyes of a portrait subject without overwhelming the ambient light portion of the exposure.
If you need to fine-tune the sensor-auto flash output, simply adjust the film-speed setting on the flash.
Example: With ASA 100 film in the camera and the meter set to ASA 100, the shutter set to 1/125 second (assuming that’s within the shutter’s synchronization), and f/8 set on the lens aperture, set the film speed on the flash to ASA 200. Then the flash portion of the exposure will produce approximately the correct amount of light for an ASA 200 exposure. This is refereed to as a minus one-stop fill.
Since the film speed sequence on the flash is in 1/3rd-stop increments, you can set the flash to produce minus 1/3, 2/3, 1, 4/3, 5/3, . . . stop fills as wanted.
See my reply to chan tran
So which model of the flash you have? Many of the flashes I have you either have no choice or the choices are 2 stops apart which makes it's very difficult to fine tune the amount of fill.
There are a thousand ways to illuminate a scene with flash.
What I do with my fill flashes is to use the manual mode "Flash Output" function and a flash meter to adjust the fill and main. Standard values like 2:1, 3:1 and 4:1 usually are fine.
If not familiar with "2:1" it means to set the fill flash output so that the meter reads one stop less exposure than the main light when each light is triggered individually. With hot lights, one would move them back and forth. With flash, one can use the "Flash Output" control.
Metz Firmware Update....Enabled Slave Mode!
A while back I received two nice Metz flashes that were included with another purchase (50 AF-1 and 48 AF-1). The flashes have no Auto mode sensor and only are TTL with an Olympus Digital cameras. The only way to use the flashes with other cameras is Manual mode. Anyway, I'm setting up a large...www.photrio.com
I have several. I tend to use an old nikon sb-15 a lot for on camera flash. Then I have more professional studio equipment, but seldom use it unfortunately
Don't adjust the flash - it will put out the amount of light that its sensor is set for.
Adjust the camera aperture instead.
If the flash is set to give full exposure for a camera aperture set to, as an example, f/8, set the camera to f/11 instead, along with the correct shutter speed to give you good, ambient light, non-flash exposure at f/11.
I think of that combination in terms of how much less than full exposure is coming from the flash - as being a "1 stop fill" - but you should remember it the way that makes sense to you.
If that is too much fill for your taste, try a "2 stop fill" - flash still set for an f/8 full exposure, but camera aperture set to f/16, with corresponding adjustment to the shutter speed.
You can fine tune it even closer if your flash and/or your camera gives you the ability to make half stop adjustments.
One thing to be careful of - this is relatively easy to do with leaf shutters that offer flash synch at all shutter speeds, but with focal plane shutters you are constrained as to available shutter speed options.
I have several. I tend to use an old nikon sb-15 a lot for on camera flash. Then I have more professional studio equipment, but seldom use it unfortunately
What are the advantages and disadvantages between this method and the 50% reduced flashed output method?
What are the advantages and disadvantages between this method and the 50% reduced flashed output method?
I used to do this all the time with my old Vivitar 283s. E.g., set the flash to f4 and the lens to 5.6-8 for -1.5 stops of fill flash. I never had a problem and it almost always produced the desired results.
I used to do this all the time with my old Vivitar 283s. E.g., set the flash to f4 and the lens to 5.6-8 for -1.5 stops of fill flash. I never had a problem and it almost always produced the desired results.
Ah, at last, a concrete answer!I have an old vivitar 283 too. I forgot some batteries in it and it needs a proper cleaning.
On a serious note, thanks to everybody who chipped in.
Caution though - batteries left in a flash can end up killing it.
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