I get many out of date slide films in for processing, but sadly Kodak films seem to go off quicker than others.
Most Ektachromes tend to go a bit magenta or red and the worst ones lose contrast and D-max ( turning towards light blue ).
Obviously it depends on their storage conditions.
I would test one roll and see how it looks. If its too bad, use the rest cross-processed for SFX photography.
John S
I get many out of date slide films in for processing, but sadly Kodak films seem to go off quicker than others.
Most Ektachromes tend to go a bit magenta or red and the worst ones lose contrast and D-max ( turning towards light blue ).
Obviously it depends on their storage conditions.
I would test one roll and see how it looks. If its too bad, use the rest cross-processed for SFX photography.
John S
So I've got a few rolls of very expired Ektachrome SW and VS (like 10-15 yrs expired).
Anyone have experience shooting this film that expired?
I've also been interested in trying my hand at cross processing. Any thoughts whether very expired E6 film would create better, worse, or just different cross processed images than fresh>
Cross process and wet print. These are scans of 8x10 prints. I'll have to check my notes at home to see exactly what flavor of Ektachrome this is.
View attachment 187789 View attachment 187790
If you have old sw never see a freezer I
would suppose you perhaps may forget it
more than a decate expired with room temperature.
with regards
Cross process and wet print. These are scans of 8x10 prints.
None of the above. Regular C-41 development, straight RA-4 printing. Some from this "series" got some dodging and burning (the contrast is insane!), but not those two particular frames.Great saturation! Do you print them with a C-41 "blank" negative sandwiched or use filters in the enlarger?
I think half of the time was probably room temperature, half refrigerated.
Agreed, I shot a few rolls E100VS with 13 year expiry dates, they get a blue cast and shadows go darker
None of the above. Regular C-41 development, straight RA-4 printing. Some from this "series" got some dodging and burning (the contrast is insane!), but not those two particular frames.
Sorry for the delay responding. Those got quite normal filtration: 40M+40Y (on a dichroic head). Prints made from other rolls of the same film required quite different filtration. This got 30C+45Y:Thanks for the reply. Since it's maskless, how much filtering do you dial in to enlarge/contact these?
I have half a box of E100G that gives me muddy colors, I think it's because it's long expired. I thought maybe cross-processing them in C-41 would give me brighter and punchier images.
Sorry for the delay responding. Those got quite normal filtration: 40M+40Y (on a dichroic head). Prints made from other rolls of the same film required quite different filtration. This got 30C+45Y:
View attachment 188086
By the way, these are all Ektachrome 100 Plus (EPP).
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