With which of these three agitation methods does the problem occur? In case it's all of them, it's probably not caused by agitation.First I tried a normal stand processing, what means, I just flipped the box once every 30 seconds. Then I tried rotation processing, and lastly the flip processing, with continuous flipping to make sure
...but not in the rebate. That has to be in camera. But the stripes are light on the negative, which seems like it can't happen in camera. Local underdevelopment, however (flow marks) wouldn't affect the rebate. This may be a one-off developing problem.
What do you mean by one-off developing problem?This may be a one-off developing problem.
It is very unlikely that this is an camera issue since this effect occurs also with film from other cameras (35mm as well as medium format).
That's a really nice question, I didn't really check it out, but I would say that they could match. But I'm not sure about it, maybe I should check this out ...Does the spacing of the marks on the negative match the spacing of the spokes on the developing reel?
I'm not absolutely sure, but as far as I remember, with a single reel in a smaller tank, that effect doesn't occurs or it occurs much lighter.I would try a single roll on a fresh reel in the tank alone and see if there is any difference.
That procedure (that I also tried in the past) unfortunately amplified that effect ... Shaking the box brought me better, but still no satisfying results.Flow marks, if not related to developer exhaustion (like bromide drag), are often due to excessively vigorous agitation. Roll the tank over gently for each inversion, then give a quarter twist or so -- this should be a little random, rather than absolutely systematic. Each inversion should take two to two and a half seconds. Using a little more developer (say, 600 ml if the minimum to cover your film is 500 ml) often helps a bit, too.
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