That could be Ilford trying to throw us off the trail.Both the ultrafine xtreme films are awesome films, with great quality control and results. I particularly like Ultrafine 100 pushed to 200, developed in HC-110. Here's an example of that combination: https://www.flickr.com/photos/132764966@N03/46118837252/in/dateposted-public/
They are almost certainly made by Ilford, based on the font, backing paper and the Made in EU packaging (we will know for sure when Brexit happens if it changes to "made in UK"). I once called Ultrafine and they told me the formula is not the same as any other films currently on the market. If that's true, I think it is likely to be something very similar to Ilford Pan 100 and Ilford Pan 400, perhaps with the addition or subtraction of anti-halation backing.
Thank you everyone! I kept googling and eventually found this. There's very little doubt in my mind that Ultrafine Xtreme is rebranded Kentmere. I recently finished a couple of rolls of Kentmere 100 and I honestly didn't feel any downgrade compared to FP4+.
Hmm. Call me a Philistine, but I've never shot Ilford film, never mind Kentmere (I think it came out about the time I had to closed down my darkroom, never expecting it would be twelve years before I got it running again). Now, I think I might have to order a few rolls of the Ultrafine Extreme, just to compare to the (known to be Foma) .EDU Ultra I routinely use for almost all of my B&W needs.
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If you're going to order anyway, there's a promo code for 10% off that ends tonight.
Hmm. Call me a Philistine, but I've never shot Ilford film, never mind Kentmere (I think it came out about the time I had to closed down my darkroom, never expecting it would be twelve years before I got it running again). Now, I think I might have to order a few rolls of the Ultrafine Extreme, just to compare to the (known to be Foma) .EDU Ultra I routinely use for almost all of my B&W needs.
Just an FYI, there has not been any stock for quite a while. https://www.ultrafineonline.com/ulxtblwhfi.htmlSorry to resuscitate this thread, Mr. Qualls, but did you ever do an Ultrafine v. Arista comparison for yourself? Got kids heading off to college and need to start weaning myself off of specialty film.
Actually, I’m familiar with, and quite like, Ultrafine at 400. It’s the Arista I’ve never shot before. The grain of the latter looks a little too prominent based solely on some random Googling (JCH has a good comparison against their film), but since Donald is an Arista shooter I figured I’d get his take.Just an FYI, there has not been any stock for quite a while. https://www.ultrafineonline.com/ulxtblwhfi.html
Shame, it's a great film. When (if) it becomes available again, just pick up a few rolls and make your own comparison to Foma (Arista).
I was sent a single 35mm roll of Ultrafine Extreme 100, and quite liked it -- and I'm pretty sure it's not Foma -- but I still haven't bought any of the regular Ultrafine films.
I have been shooting XP2 Super a bit lately, and I like it a lot -- but I wouldn't expect it to be anything like silver-image B&W films. One thing I really like with XP2 Super is the ability to choose to process it in C-41, B&W chemistry (like D-76 or Xtol), or C-41 with bleach bypass, and get excellent results any way you soup it. My preference has become bleach bypass; this gets almost indistinguishable image quality from regular C-41, but gains approximately a stop of speed (due to the extra density of leaving the developed silver in the image), and an 800 speed film that gives grain like conventional 100 speed films is a really welcome development. Enough so to get me to pay almost double for XP2 Super over bulk loaded .EDU Ultra 400 (must get another bulk loader to put XP2 Super into).
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