I have used the Ultrafine Extreme 100 in 120 and like it in Xtol-R, Pyrocat-HDC and Rodinal. As for Rodinal? I've only developed the film in 1+100 semi-stand 1Hr. The results were sharp with medium contrast and grain was almost invisible. Oh, I also used it a box speed.I'm just getting back into shooting film again. 20 years ago shooting B&W, I settled on Ilford delta 100 and Kodak T-max 400 as my favorite films. I used HC110 back then, but D76 to me also seems to give very good results. I also shot with APX-25 and it seemed best in rodinal as I recall.
I thought I would experiment with the ultrafine films in 35mm, and the 400 speed in D-76 looks really nice and I am happy with the results. But the 100 speed, shot at EI-100 , not so much. It's hard to describe but the results look muddy and mushy, like there is very little mid tone contrast but at the same time the highlights block up easily and the shadow detail is lacking. It also just has a kinda smeared look, as in it's not very sharp. I tried both: stock D-76 at 9 minutes and D-76 1-1 at 11.5 and neither looked good. This was shot using a light yellow filter and also a slightly darker yellow filter, which seem to work fine with the other films. Both times it was on a bright sunny day.
So I guess I'm wondering, has anyone found a developer/time combo they like with this film? My next roll I'm going to see how rodinal 1-50 works. Or should I maybe try rating it at 50 and pull develop it? I have about 8 more rolls to play with before I just give up on this film
How do you know, with rebranded film, if it's the same film from one roll to the next?
Any chance that the reel rode up on the centre column and left one edge partially submerged?I recently used my first roll of Ultrfine 100 extreme (120 size),
while testing the focus setting on the Super Angulon 65mm on the Century 2x3.
https://app.box.com/s/l6lpfxkm1mja7fdord85r48kaibnmaq7
This was developed with a new mix of Ilford Microphen.
This is uncroppped scan. Note the dark bar a little bit down from the top
The bar is on all exposures, and wanders up and down a bit across them, so I doubt it is the scanner
The tank was not low on fluids, as I had 600mm in.
I wondered if it is a film coating inconsistency.
I have to agree with Matt. This looks like a development issue.That "line" you point out would show up as lighter on the negative, which leads me to think it could be what Matt's getting at. I've also had "surge edges" that looked somewhat like that, but they usually show up on both top and bottom edges. JohnWAny chance that the reel rode up on the centre column and left one edge partially submerged?
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