• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

Two bath developer decision...

Man in market place

A
Man in market place

  • 0
  • 0
  • 36
Abandoned Church

A
Abandoned Church

  • 3
  • 1
  • 44

Forum statistics

Threads
203,121
Messages
2,850,140
Members
101,684
Latest member
Deepfins
Recent bookmarks
1

batwister

Member
Allowing Ads
Joined
Sep 4, 2010
Messages
913
Location
Midlands, UK
Format
Medium Format
I understand many printers, John Blakemore being the most notable I know of, use two baths. It's inherently part of their practice. What confuses me is how the judgement comes about. When is flashing not enough? When does one say "right this isn't working, time for two baths." What is the real, perceivable difference between moving the print between two baths and flashing, that compels you to mix two solutions?

I'm of course not making fine prints, so forgive me, but is this just a finicky habit concerned with neglible subtleties? Is it a delusional disorder that you catch after being in the darkroom too long? It also strikes me as a paper wasting guessing game.

I'm not ignorant of the importance of subtlety in a great fine print, don't get me wrong, I'd just like to know how important this method is in getting there.

Cheers.
 
I've never had a need of it myself, but then I use VC papers. With graded papers, it could be useful for fine-tuning contrast.
 
Its only important if you feel the need.

I used this method when I was printing with Ilformar and Ecktalure graded papers.
As Peter mentions with VC and split printing this would be a very subtle addition to the workflow.

I understand many printers, John Blakemore being the most notable I know of, use two baths. It's inherently part of their practice. What confuses me is how the judgement comes about. When is flashing not enough? When does one say "right this isn't working, time for two baths." What is the real, perceivable difference between moving the print between two baths and flashing, that compels you to mix two solutions?

I'm of course not making fine prints, so forgive me, but is this just a finicky habit concerned with neglible subtleties? Is it a delusional disorder that you catch after being in the darkroom too long? It also strikes me as a paper wasting guessing game.

I'm not ignorant of the importance of subtlety in a great fine print, don't get me wrong, I'd just like to know how important this method is in getting there.

Cheers.
 
Flashing works to reduce highlight contrast. Shadows remain the same. Sometimes you can flash and use a higher contrast paper. This will help shadow contrast. Two bath is really to get between grades with graded paper. It changes the overall contrast. Not sure why you would need two bath with VC.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom