When the development time is done, you turn off the lights, turn the tube with the cap down, remove it and put the tube in the stop bath. Then remove film and fix.
Very nice. I love McGuyveris'm.
Eric,
I'm embarrassed to say that I didn't know that there was more than one thickness :confused: . I simply bought whatever the plumbing department had.
cheers eh?
I knew that would be confusing. I meant what diameter tubes would one need for 8x10? (not the thickness of the pvc itself)
My engrish sucks
I have made and used tubes. I was wondering if anybody had found a way to make a light tight valve, that would allow the process to proceed in daylight after loading, rather than the having to go dark at the transition of each step. That would greatly enhance my feelings toward tubes, as I have otherwise been pleased with the process and results. I especially like how economical they are on chems.
I have made and used tubes. I was wondering if anybody had found a way to make a light tight valve, that would allow the process to proceed in daylight after loading, rather than the having to go dark at the transition of each step. That would greatly enhance my feelings toward tubes, as I have otherwise been pleased with the process and results. I especially like how economical they are on chems.
According to the techs at Ilford, the lights do not need to be off once you have completed the developer stage. Apparently the film is more than sufficiently desensitised after the developer bath that the amount of light it receives while changing fluids will not affect it at all. I have followed this advice since I read it and have not seen any problems.
The instructions for the BTZS tubes say that after development (working in dim room light (or safelight) you remove the cap and plunge the open-ended tube into a tray of stop bath and rotate the tube to wet the film.
To quote:
"If you can open a tube and get it into the stop bath within 2 or 3 seconds there is no danger of fogging the film perceptibilty if the room illumination is dim and indirect."
I have tried this and have not seen any problems.
I am still afraid to remove the film and fix in trays with the dim lights..
I knew that would be confusing. I meant what diameter tubes would one need for 8x10? (not the thickness of the pvc itself)
My engrish sucks
Yes, I saw that, but I am a chicken when it comes to light and unfixed film. Maybe I'll try it with the saflight on once!!
I do have another question for you tubers. Do you fix your film in your tubes? Maybe this should be a separate post?
I guess in theory, once the development is stopped, it would need to go back into the developer to affect the negative. If that's the case, why do we carry on in darkness, after the stop? IDK, but somebody here does. Have I been mucking around like a bat, when tray developing, when I didn't need to half the time?
Just remember, the film is still inside the tube (open ended) when it is in the stop bath tray. I don't know the answers either, just that using Phil Davis instructions seem to work.
Here's the Ilford thread for those who are curious :
http://www.ilfordphoto.com/photocommunity/forums/theforum/topic.asp?TOPIC_ID=6005
cheers eh?
I guess in theory, once the development is stopped, it would need to go back into the developer to affect the negative. If that's the case, why do we carry on in darkness, after the stop? IDK, but somebody here does. Have I been mucking around like a bat, when tray developing, when I didn't need to half the time?
A cap (containing your developer) is then threaded onto the tube, the whole thing is turned horizontally and put into a temperature controlled water bath, which allows you to "log roll" the tubes and get even distribution of the developer on the film.
Russell
How critical is the consistency of the "log rolling" for even development? If you are processing 6 tubes at a time, it seems like it would be hard to have tight agitation control. Do you get even development and consistent contrast results?
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