That's a pretty nice setup, love the sink. For light proofing I use black duct tape for semi-permanent use and black silicon caulk around small leaks, and I have regular foam on would weather seal around my door (I painted the edges and the darkroom side of the door and the door jamb black, to help), and I have a black towel I bought specifically to seal the bottom of the door once my wife caught me using one of the navy blue guest towels in that role.I've got more light proofing to do and a lot of cleaning, but I'm getting closer.
That's a pretty nice setup, love the sink. For light proofing I use black duct tape for semi-permanent use and black silicon caulk around small leaks, and I have regular foam on would weather seal around my door (I painted the edges and the darkroom side of the door and the door jamb black, to help), and I have a black towel I bought specifically to seal the bottom of the door once my wife caught me using one of the navy blue guest towels in that role.
Yep!McPherson?
Absolute, perfect darkness is only required when loading film processing tanks (and a film changing bag is a wee, tiny, darkroom for those occasions). Brett Weston once had a darkroom in Hawaii (on the big island) that he could open the windows at night-no near neighbors. Light in a print processing room is a much less critical issue than in a film processing room.
welcome to APUG JeremyI've been lurking off and on for awhile. Generally I find my self getting overwhelmed quickly by all of the information. There is so much more than I ever imagined there could be.
I learned the very basics with 35mm in my high school journalism class. I have never considered myself as a good photographer, but I caught on quickly inside the darkroom and loved being in there. I only had a year and half to learn and experiment. I was the best amongst my peers at successfully developing the film, especially loading the reels which I frequently did for others.
Shortly after high school I bought an enlarger and some supplies of EBay and briefly had a darkroom in my basement. After starting a family and moving a couple times the darkroom never happened again. I have recently gotten the bug again and have started putting together a darkroom in my current home. The corner of the basement has been cleaned out and I have started the light proofing process. I have a standing height counter for the enlarger and a large restaurant stainless steel sink that I found for $50 for the wet side. It will be a challenge to finish out the light proofing due to the obstructions in the ceiling at various heights, but I hope to have it done soon.
In the last two years I came across two auctions with a pretty decent stock pile of equipment. The first action was from a police station that I won for $30 and the second was a school that completed switched to digital and I was the top bidder at $50. I now have 5 enlargers of various types, 6 enlarger timers, around a dozen easels, two color analyzers, two paper safes, several boxes of unexposed paper (old), chemical storage tanks, several grain focusers, countless number of SS and plastic reels for both 35mm and 120 with tanks to match. I have way more than I need. The attached photo is showing most of the $50 purchase.
I have a variety of older, manual 35mm SLR's that I've collect over the years and I also have my mother-in-law's twin-lens reflex camera that I'm excited to try out and make prints with. That is something I've never used before.
I will probably crawl back under my rock and go back to lurking, but figured I would go ahead and introduce myself.
Jeremy
That sink was quite a steal for me. I've been holding on to it for a little over two years now.I could use one of those sinks!
That's pretty cool. Sadly I didn't even know about this in my hometown. Thanks for sharing.jsn80 -- This year's meeting of the Great Plains Nature Photographers is in the McPherson Opera House on Saturday, Nov 12 http://jimcindygriggsphotography.zenfolio.com/great-plains-nature-photographers. I sometimes drive 300 miles from Missouri to attend these.
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