Trying to get going again in Central Kansas

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jsn80

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I've been lurking off and on for awhile. Generally I find my self getting overwhelmed quickly by all of the information. There is so much more than I ever imagined there could be.

I learned the very basics with 35mm in my high school journalism class. I have never considered myself as a good photographer, but I caught on quickly inside the darkroom and loved being in there. I only had a year and half to learn and experiment. I was the best amongst my peers at successfully developing the film, especially loading the reels which I frequently did for others.

Shortly after high school I bought an enlarger and some supplies of EBay and briefly had a darkroom in my basement. After starting a family and moving a couple times the darkroom never happened again. I have recently gotten the bug again and have started putting together a darkroom in my current home. The corner of the basement has been cleaned out and I have started the light proofing process. I have a standing height counter for the enlarger and a large restaurant stainless steel sink that I found for $50 for the wet side. It will be a challenge to finish out the light proofing due to the obstructions in the ceiling at various heights, but I hope to have it done soon.

In the last two years I came across two auctions with a pretty decent stock pile of equipment. The first action was from a police station that I won for $30 and the second was a school that completed switched to digital and I was the top bidder at $50. I now have 5 enlargers of various types, 6 enlarger timers, around a dozen easels, two color analyzers, two paper safes, several boxes of unexposed paper (old), chemical storage tanks, several grain focusers, countless number of SS and plastic reels for both 35mm and 120 with tanks to match. I have way more than I need. The attached photo is showing most of the $50 purchase.

I have a variety of older, manual 35mm SLR's that I've collect over the years and I also have my mother-in-law's twin-lens reflex camera that I'm excited to try out and make prints with. That is something I've never used before.

I will probably crawl back under my rock and go back to lurking, but figured I would go ahead and introduce myself.

Jeremy
 

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mike c

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Thats a good start jsn80, are those 250sht boxes of Kodabrom paper? Nice
 

mooseontheloose

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Welcome to APUG Jeremy - it looks like you are well-supplied to start your darkroom journey.
 

Trask

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Good luck to you as you move forward in this hobby! And nice to hear from you from time to time about what's going on.
 

Sirius Glass

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Welcome to APUG
 
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jsn80

jsn80

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I've got more light proofing to do and a lot of cleaning, but I'm getting closer.
 

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naeroscatu

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Welcome to APUG, please post some of your prints
 

darkroommike

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I've got more light proofing to do and a lot of cleaning, but I'm getting closer.
That's a pretty nice setup, love the sink. For light proofing I use black duct tape for semi-permanent use and black silicon caulk around small leaks, and I have regular foam on would weather seal around my door (I painted the edges and the darkroom side of the door and the door jamb black, to help), and I have a black towel I bought specifically to seal the bottom of the door once my wife caught me using one of the navy blue guest towels in that role.
 
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jsn80

jsn80

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That's a pretty nice setup, love the sink. For light proofing I use black duct tape for semi-permanent use and black silicon caulk around small leaks, and I have regular foam on would weather seal around my door (I painted the edges and the darkroom side of the door and the door jamb black, to help), and I have a black towel I bought specifically to seal the bottom of the door once my wife caught me using one of the navy blue guest towels in that role.

My biggest challenge is making a "room" in the corner of the basement. The unfinished side of my basement is one large open room. Rather than light proofing the whole room I plan to do something just in that corner. My challenge is the furnace and ductwork that is also in that corner which makes building a permanent wall not possible. My plan is to build false wall panels with black plastic framed out with 1 x 2 boards that I can move in and out of the way underneath the duct work. Next I'll have to fill the space above the duct work and below the ceiling. It won't look pretty because there is a lot going on with ducts, water & gas lines and electrical all over head. This is probably where I will use a lot of black duct tape.
 

darkroommike

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Carpenters build out around ductwork, etc. all the time just Google "plenum soffit", if you're intent is to leave no marks and have no building code issues either pull a permit or hire some one to do it code compliant and make sure he pulled the permits. There is also a black material, rubber coated on one side made for blackout curtain use (first popular during WW2) which makes great "walls", you could also use blue or pink urethane insulation panels, painted black for temp walls. Have fun and don't work so hard on building a darkroom that you're too tired to use your new darkroom.
 

drkhalsa

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As darkroommike said, the urethane insulation panels are what I used to fill a window in the space I use for a darkroom. Cut to fit and tape over the edges. Removable when I need the space for other uses. Light weight and stiff would be good for temporary walls, etc.

McPherson?
 

dpurdy

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I am in a large basement and found it easiest to cover the windows and keep the whole basement dark. I am from Russell. I had a great friend from McPherson.. last name Friday.
Dennis
 
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jsn80

jsn80

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I don't know anyone with the name Friday. I played some football against Russell back in high school.

I've considered going dark in the whole basement, but there are a lot of light leaks and light generators that would have to be dealt with. I also don't want to cut off access to the rest of the basement while I'm "playing with my toys."
 

darkroommike

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Absolute, perfect darkness is only required when loading film processing tanks (and a film changing bag is a wee, tiny, darkroom for those occasions). Brett Weston once had a darkroom in Hawaii (on the big island) that he could open the windows at night-no near neighbors. Light in a print processing room is a much less critical issue than in a film processing room.
 
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jsn80

jsn80

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Joined
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Absolute, perfect darkness is only required when loading film processing tanks (and a film changing bag is a wee, tiny, darkroom for those occasions). Brett Weston once had a darkroom in Hawaii (on the big island) that he could open the windows at night-no near neighbors. Light in a print processing room is a much less critical issue than in a film processing room.

I do have a film changing bag, but it has a tear that needs repaired. Perhaps I should take out of storage and do some practicing.
 

Black Dog

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Hello, welcome to APUGland and all the very best!
 

f/stopblues

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It's fun to see a bunch of midwesterners on here. I'm in the Kansas City area and drive out in rural Kansas to shoot whenever possible. I moved recently and have to rebuild my darkroom in the new basement so some of your challenges sound familiar. I could use one of those sinks!
 

RalphLambrecht

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I've been lurking off and on for awhile. Generally I find my self getting overwhelmed quickly by all of the information. There is so much more than I ever imagined there could be.

I learned the very basics with 35mm in my high school journalism class. I have never considered myself as a good photographer, but I caught on quickly inside the darkroom and loved being in there. I only had a year and half to learn and experiment. I was the best amongst my peers at successfully developing the film, especially loading the reels which I frequently did for others.

Shortly after high school I bought an enlarger and some supplies of EBay and briefly had a darkroom in my basement. After starting a family and moving a couple times the darkroom never happened again. I have recently gotten the bug again and have started putting together a darkroom in my current home. The corner of the basement has been cleaned out and I have started the light proofing process. I have a standing height counter for the enlarger and a large restaurant stainless steel sink that I found for $50 for the wet side. It will be a challenge to finish out the light proofing due to the obstructions in the ceiling at various heights, but I hope to have it done soon.

In the last two years I came across two auctions with a pretty decent stock pile of equipment. The first action was from a police station that I won for $30 and the second was a school that completed switched to digital and I was the top bidder at $50. I now have 5 enlargers of various types, 6 enlarger timers, around a dozen easels, two color analyzers, two paper safes, several boxes of unexposed paper (old), chemical storage tanks, several grain focusers, countless number of SS and plastic reels for both 35mm and 120 with tanks to match. I have way more than I need. The attached photo is showing most of the $50 purchase.

I have a variety of older, manual 35mm SLR's that I've collect over the years and I also have my mother-in-law's twin-lens reflex camera that I'm excited to try out and make prints with. That is something I've never used before.

I will probably crawl back under my rock and go back to lurking, but figured I would go ahead and introduce myself.

Jeremy
welcome to APUG Jeremy
 
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