Are there common situations in which a 35mm photographer should consider skipping Tri-X in favor of something similar but more suitable for that situation?
Reading around the forum, I noticed that people sometimes compare this Kodak film to CineStill's BwXX and another from Ilford (HP5 plus, I believe).
If you're happy with what you've got, there's no reason to skip anything, really. I think many people (including myself) like to get a taste of the grass on the other side once in a while to sample its greenness. Personally, I always find confirmation of what I can read in other people's experiences, datasheets etc. - no surprises.Are there common situations in which a 35mm photographer should consider skipping Tri-X in favor of something similar but more suitable for that situation?
I recently shot a couple rolls of 400TX and enjoyed the results. I don't think I would ever complain about a black and while film photograph looking too "gritty". Reading around the forum, I noticed that people sometimes compare this Kodak film to CineStill's BwXX and another from Ilford (HP5 plus, I believe).
Are there common situations in which a 35mm photographer should consider skipping Tri-X in favor of something similar but more suitable for that situation?
But are you talking about 35mm? I thought you were a MF guy.I see no reason to skip Tri-X. I get good consistent results from Tri-X that I can depend on.
Tri X is the only film that I have ever had reticulate, so I'm a bit gunshy about using it again.
I processed it in a Paterson tank along with a roll of HP5, and the HP5 was perfect, so I don't think it was my processing technique. Kodak being substantially more expensive than Ilford doesn't give me any reason to try it again either.
For speed, Tmax 400, to 800 no additional time, to 1600 a true 1 stop push. For resolution at 200 LPM Tmax 100. I still use Tmax 400 and 100 in 120 and 35mm when traveling, Tmax in sheet film is just too expensive so I use Foma 400 or 100, but will a try a box of PF4.
Greg,
Do you have a favourite way to use HP5? EI, developer, processing technique (Tank, tray, tubes etc)? I still use HP5, especially when I need the speed for large format and I rarely seem to get results that look as good as Delta 100 in Xtol.
I usually follow the Ilford guidelines (or Kodak times for Xtol) and process in a Jobo.
I have a little HP5 in the fridge.... but much more TMX/TMY-2/Tri-X/FP4. For decades now i've been using PMK & then Pyrocat. Most times i expose the films at 320 (80 for FP4). .....Tanks for 35/120 and trays for 4x5/5x7/4x10/8x10 (though i don't use 4x10/8x10 anymore). I'll likely be trying Delta 400...& see if i get more favourable results than HP5.
PMK is lovely for larger formats but too gritty for my tastes for 35mm.
CR I switched over to Pyrocat for everything a few years ago, when I was using PMK i didn't shoot 35....only MF/LF
Foma 100 is a fantastic film IME.
Hi Drew,What situations if any demand Tri-X? That's the flip side of the coin. If you like it's look, you don't need any other justification. But it's just one of many choices, most of them more modern.
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