Shawn Dougherty
Subscriber
When I finish shooting my Pond Scum project this fall I've got another short termer to work on. This will include lf contact prints, small 35mm enlargements made at night using T-max 100 and Rodinal SS and daytime 35mm work. It's the latter for which I'm still working out the details.
I want to make 5x7 enlargements and I'm after the look achieved by Mr. Wallace Rollins. You can visit his APUG gallery (there was a url link here which no longer exists).
The tones he's getting are great and not much different than I would expect from this combo based on the work of others. However, it seems to me as though he's increased the amount of grain a bit. I've tried to contact him about his work flow and haven't heard back. Does anyone have any suggestions about how to achieve that increase in grain while keeping the contrasty yet long scaled tonalities he seems to be achieving? Is it simply a matter of more agitation with shorter development times? Should I be using D-76 full strength or 1:1? I think this look would compliment some of my 8x10 contact prints quite nicely...
I want to make 5x7 enlargements and I'm after the look achieved by Mr. Wallace Rollins. You can visit his APUG gallery (there was a url link here which no longer exists).
The tones he's getting are great and not much different than I would expect from this combo based on the work of others. However, it seems to me as though he's increased the amount of grain a bit. I've tried to contact him about his work flow and haven't heard back. Does anyone have any suggestions about how to achieve that increase in grain while keeping the contrasty yet long scaled tonalities he seems to be achieving? Is it simply a matter of more agitation with shorter development times? Should I be using D-76 full strength or 1:1? I think this look would compliment some of my 8x10 contact prints quite nicely...