All those things make sense. But they also seem to be too many things to worry about for most people - and some people will lack the gentle touch required. It's really very simple to hang up the film and not touch it all until it's dry.
Also, a lot of people are getting these things used, now, and the rubber is likely harder than it should be.
And there is also the possibility there is some tiny bit of grit on the film that will get dragged down and score the emulsion. No matter how fastidious you are regarding the squeegee itself, you can't anticipate that.
When in the U.S Air Force we use to squeegee or use a damp photo sponge to remove as much water off the negative so it would dry faster. I think the dark room at the Sacramento Union used damp sponges as well followed by forced air dryer. In my own darkroom I just hand and dry.
What say all, is this the tool of the devil or something that you use often or occasionally in the darkroom?
Ha, ha, Photoflo, I mean AGEPON, sorry...
Well I am an avid SISTAN user, which is still made bij ADOX as Adomax (and Agepon too as Adoflo).
This is two in one, a wetting agent and an image stabiliser, what else do you want?
For film and paper.
BTW, a wetting agent should be used sparingly, just a few drops in filtered tap water, doesn't it?
An now I will get a 'piscine' and some olives (It's still summer), and sit back...
Use distilled, minerals from tap water can still impregnate your emulsions, IMO.
but luckily I never had any issues
An old photography book mentioned a squeegee with chamois covered blades.If I were to try any device again for a film squeegee, I might consider thick, nitrile gloves or a pair of soft leather chamois finger sleeves, if available or if I were to make them myself, otherwise, a clean drip dry.
An old photography book mentioned a squeegee with chamois covered blades.
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