Working with a step wedge is really essential to gain a practical knowledge of how film and paper works.
It also gives you the groundwork to experiment, or PLAY, with variations of combinations, to see how they affect the paper or film.
It is like sitting down to a piano ( preferably, a tuned piano ) and learning your scales. As you practise them to be able to play them, you also teach yourself how to listen, and in time you have them in your subconscious.
In time you may find the literal representation of a step wedge feels a lot like major scale, and the images you make of the step wedge on different contrast papers, with different development, etc., may remind you of different scales and modes.
I think this is the intersection of technique and creativity. You KNOW what the values of a step wedge are, and when you can reproduce them literally on a sheet of paper, you have fixed the printing process, and can be confident of THAT part of the process. As you work with films and developers, you can SEE what the character of the combinations are. Have fun.
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