shadesofgrey
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FrankB said:Don't know the answer to this one, but would like to!
It wouldn't matter for Rodinal (the stuff lasts so long you eventually find it's up and moved to Eastborne (okay, Florida for our colonial bretheren!)) but DDX on the other hand...
Assuming it doesn't oxidise while frozen and any separation can be cured with a quick stir (two assumptions which may not be valid)...
I've just had a vision of little pots of frozen DDX waiting until my next processing run of Delta 400, and no more expensive dev getting slung out 'cos I don't use a litre within n months! Hmmm....
Thoughts anyone?
Gerald Koch said:You should not freeze any developer concentrates. Doing so may cause certain ingredients to come out of solution which can be very hard, if impossible, to redissolve. Nor should you place any in the refrigerator unless the manufacturer specifically recommends this. I know of only one developer, Ethol T.E.C., where this is recommended.
FrankB said:I have heard (from a source that I personally trust implicitly) that Jessops own-brand chemistry is pretty poor stuff compared with most other options. However, your mileage may vary!
Best regards,
Frank
shadesofgrey said:Would your source that you personally trust implicitly have the initials, LM?
shadesofgrey said:Going to develop a roll of Foma 400 latter; meant to do it a few days ago but wasnt sure which dev to use so I had a look around the net for some inspiration.
srs5694 said:FWIW, I've started using Fomapan 400 (in 35mm) as my standard ISO 400 film. There's something about the grain pattern that I find appealing, but I can't quite describe what it is, I'm afraid; it's a very subjective reaction. Anyhow, I started out using D-76, but I've recently been using Gainer's PC-Glycol (1:1:48 dilution for 10:00 at 20C works well for me, if you care to try it). I'm satisfied with the results I get in either developer, but I'm new enough to B&W that I still haven't gotten a good handle on all the subtleties, and of course your preferences just might differ from mine.
shadesofgrey said:One point, is it me or is the emulsion a bit thin? Seems to scratch easy?
shadesofgrey said:Did you shoot it at full speed, ie, 400?
srs5694 said:Yes. I did that for my first couple of rolls in D-76 just because I didn't want to do full film tests. When I decided to standardize on the film, I used this procedure (see here for part 2) and got a "true" film speed of ISO 320-400 in Gainer's PC-Glycol, at 1:1:48 dilution and 10:00 development time at 20C. (My camera gave me the same aperture and f-stop at both ISO values, so I'm not sure which one's more accurate.) That said, I've seen many comments on the net to the effect that Fomapan 400 has a true speed that's more like ISO 200 or 250. I'm not sure how to reconcile the difference; perhaps I did something wrong in my tests, or maybe my camera's meter is off, or maybe PC-Glycol just does a better job of getting the rated speed from this film than do most others.
shadesofgrey said:Last night I developed a (quickie) test roll of 400 in Rodinal @1-25. I shot 12@400, 12@320, and 12@250. The 400 was thin-ish though would print with a bit of work, the 320 was fine and the 250 a little over done, so your 320 maybe not be so out for the way you/we work: And maybe PC-Glycol does help? See if I can find/purloin some Glycol so I can try out your setup as I think this film is definitely worth spending time on. I'll try 400/ID11 during the week and see what that's like. Just a thought, but do you aggitate following the film or developer instructions: or, like me, use my own little rhythm that seems to have crept in over time.
srs5694 said:Propylene glycol is fairly easy to come by; I used "environmentally-friendly" anti-freeze. Gainer's first experiments used ethylene glycol anti-freeze. Although that stuff's not as environmentally friendly as propylene glycol, if you happen to have it and the other ingredients, I'm sure mixing up 100ml of PC-Glycol's solution A using ethylene glycol wouldn't do a lot of environmental damage.
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