If I were you, I would not use Rodinal for this. Tmax 400 pushes nicely in Tmax developer, which was designed for pushing Tmax 400 and Tmax 3200. You'll get a lot better shadow detail with Tmax Developer. I haven't pushed TMY-2 to 3200, but I have pushed it to 1600 in Tmax Developer with beautiful results.
Thanks for your answers. I know this is not ideal, but I don't have the possibility to get any other developers right now, so Rodinal it is. But I would like to try other developers in the future.I will second that DD-X (or tmax dev) is a better choice for this.
I would also say that if you want lower contrast, Tmax400 is the wrong film, HP5+ would push much better with a less dramatic contrast than TMY-2 does.
Rodinal, it's do-able, but you'll get a VERY grainy image. And you're also talking shoot roughly 30 minutes of developing by inversion...
I've done Tmax400 at 1600 (forgive the movement and horrible image and possibly offensive imagery) in DD-X
But find HP5+ at 3200 much more beautiful
Good luck!
Rodinal is fine for pushing, especially to 3200. How it will turn out will depend on how you shoot the scene.
To push well with rodinal, you need to ether use stand development or use infrequent super gentle swirls. Too much movement will give you coarse grain. To be successful with pushing you need to shoot with a scene containing more light, not requiring too much shadow detail. Here is an example of a good push, although this uses HP5+ @ 3200
View attachment 81930
and
View attachment 81931
Both are well lit and there is no signs of excessive grain. These images were created using 1:100 stand for 1 hr.
When you want to pronounce shadows, you should look at pulling. Rodinal is badly misunderstood developer. With a little skill, it really knows no bounds.
The only thing I wouldn't do is inversions. I save that for fixer ...I found swirling the container like it was a fine wine worked wonderfully. I do that for all developers now.
First of all thanks for all your advice. I decided to go for Rodinal 1+50, 25 minutes developing time. Agitation every other minute. This was one of the best pics I got. Rest were a bit underexposed so the shadows weren't that good. But I can't complain about too much grain.
Looks good, guess it's 30 minutes next time, glad you liked my on and off regimen, again understand Rodinal won't cause as much bromide drag as other developers so I wouldn't recommend this for other dev's and suggest other dev's you keep to under 1 minute.
Stone, I don't think your analysis of agitation is correct. I use agitation as a tool to get good negatives. With all kinds of developers, such as Xtol (replenished, 1+1, 1+3), D76 (stock, 1+1), HC-110 (Dil B, Dil H), Ilfotec DD-X (1+9), Pyrocat-HD and MC (1+1+100, 1+1+150), and Edwal 12 (replenished).
I have successfully varied agitation between every 30 seconds to every 5 minutes with all of those developers, with no ill effect.
Are you speaking from personal experience, or are you just regurgitating what you've read on the internet?
I have tried 1:100 semi-stand. Results are ok up to EI1600. EI3200 are of poor shadow detail.
EI800 very similar to EI400. Less drop from 800 to 1600 than from 1600 to 3200.
By using standard development results should improve. If the scene is low contrast, the negative will appear thin, will scan well and you can push contrast in wet printing. If you have high contrast scene, better to meter both highlights and shadows. Detail is ok at 2 stops under, and limit is 2 and a half to 3 stops under. Metering for the shadows is critical.
If in a hurry, meter main subject and check if you can hand hold at 2 under.
Again, standard development should improve your results.
When you have the chance use classic grain film for pushing. HP5+ or Trix-400, which ever is cheaper.
check this link to see that not all films have the exposure latitude.
http://www.digitaltruth.com/products/product_tests/400ISO_filmtest_001.php
I hope this helps.
Of course, the highest speed developer is Diafine. Tri-X behaves as a 1600 film in Diafine.
I am changing to diafine as soon as my rodinal ends.
I have tried 1:100 semi-stand. Results are ok up to EI1600. EI3200 are of poor shadow detail.
EI800 very similar to EI400. Less drop from 800 to 1600 than from 1600 to 3200.
By using standard development results should improve. If the scene is low contrast, the negative will appear thin, will scan well and you can push contrast in wet printing. If you have high contrast scene, better to meter both highlights and shadows. Detail is ok at 2 stops under, and limit is 2 and a half to 3 stops under. Metering for the shadows is critical.
If in a hurry, meter main subject and check if you can hand hold at 2 under.
Again, standard development should improve your results.
When you have the chance use classic grain film for pushing. HP5+ or Trix-400, which ever is cheaper.
check this link to see that not all films have the exposure latitude.
http://www.digitaltruth.com/products/product_tests/400ISO_filmtest_001.php
I hope this helps.
Of course, the highest speed developer is Diafine. Tri-X behaves as a 1600 film in Diafine.
I am changing to diafine as soon as my rodinal ends.
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