- Joined
- Jul 6, 2008
- Messages
- 168
- Format
- 35mm
When I had hiked for about 2 hours, I again met, two gentlemen I'd seen earlier taking digital pics of everything they could see. We got into a inevitable discussion about cameras...
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They had each taken about 200 shots apparently,(in about 2 hours!) while on their way up this trail. I'd only taken 10 so far.
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They were going back down "dammit". Two batteries had given out on one camera and that was it for him. The other camera had developed an issue with the autofocus...
Kris, did you see Solaris (by Tarkovsky)? Theres another Kris there, others treat for a fool. Just joking, the matter is not there. The matter is you shouldnt care about what salespersons are saying (in photography like in anything else). They are the morons of this world.
Although, while I consider digital as an evolution over film in print color photography (sorry, I have little experience with color slides, so no pertinent opinion about it), I also consider B&W as necessarily linked to film. The main distinctions (two of them) are in: grain vs. noise (for film vs. digital), and light and shadows (or volumes and textures) vs. colors (for B&W vs. color photography). SPs will tell you about CDs vs. vinyls, but these are only recording media, not expression means like film. The allegory is not pertinent, only manipulation (and what else would you expect from SPs?).
Again, a SP could tell you that B&W is death, so it is the film! Ha, ha, did sculpture died because of painting? How could it be: one looks to the world through light and shadows (or volumes and textures), while the other does it through colors. Or, more recently, did painting died because of photography? On the contrary, painting just reborn when photography took over on the figurative constrains. So, are B&W and film dying? Theoretically they should reborn, but there are these scams of the world (the SPs) who can artificially kill them (I would be a fool to denegate this risk).
My credo is stated below.
Analogue photography as an art will need a lot of users to maintain itself in the future.
As someone who shoots E6 more than B&W, I have to say I don't think much of your credo.
Digital is like shaved legs on a man - very smooth and clean but there is something acutely disconcerting about it. Digital fanaticism is for people whose depth can be measured in pixels.
Just flip them the bird and move on.
Life's too short to be wasted and too sweat to be spoiled by assholes.
Just tell them you're post post-modern, so you use film. They should understand.I work in a University. ..... Modernism for modernism's sake....
I was also warned not to use slides in lectures as it was old-fashioned, and I should use powerpoint instead. Modernism for modernism's sake....
I mentioned that I usually prefer to shoot medium format. I swear, he looked at me strangely and asked what is medium format! I said oh, that is 120 film and said that he had never heard of it. Unreal.
Especially if you do it in a flat nasal cockney accent
Just tell them their shop will be dead long before film is dead. With online shops able to undercut their markups by 70% their days are numbered..
I was also warned not to use slides in lectures as it was old-fashioned, and I should use powerpoint instead. Modernism for modernism's sake....
I've said this before.
There needs to be some experimentation with other models.
Some combination of central, online suppliers and local, smaller overhead store-fronts could make a real difference.
If expertise could be pooled, and shipping (from online source to store-front) streamlined, I think it could work.
Matt
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