The linch-pin issue, for me, is this evaluation: "This would have made a GREAT photograph"
"Great" in what manner? For the prestige of the photographer, who has gained access (via chance or not) to a difficult moment? Or because the photograph serves some other, greater purpose?
... AND -- in the interests of politeness -- you chose not to make a photograph.
Let me ask you, and in fact ask everyone: are there any pictures -- ANY pictures -- that you are sorry you made?
Not "I wish I had made that better" which is just an issue of craft -- I'm asking about a photo you wish you had never made.
I wasn't asking about publication.
I am asking about pictures that NO ONE, not even for an audience of one (tho photographer), think should have been made. And why.
.....
I am asking about pictures that NO ONE, not even for an audience of one (tho photographer), think should have been made. And why.
This thread and Bill Schwab's comments made me think of not only the ethics of taking a photo, but consideration of what the image might lead to if published.
Recently on the NPR radio program Fresh Aire, host Terri Gross interviewed the photojournalist who took the famous photo of corpse of a US Marine being dragged and beaten in the streets of Somalia in 1993. He said he was haunted by the photo, for many reasons, but one of the main reasons was the firestorm it created, leading to the withdrawl of American troops in that country. The reaction to that photo he had been told was one of the contributing factors in the decision of the Clinton administration to not send troops to Rawanda to help end the genocide that eventually killed over 700,000 people. So in part he felt he played a role in that decision.
Conveniently left out of the Fresh Aire show on NPR was that when we retreated from Somalia after the "Black Hawk Down" attack by al Qaida in Mogadishu, bin Laden held it up as an example of America being a "paper tiger" (his words)... And you can draw a straight line from that retreat -- fuelled by that PJ's shot -- to the 9/11 attacks, also by bin Laden.
FWIW - we now live in a society where a major news service (CNN) actively solicits photos and videos from viewers and website visitors DURING emergency situations. Billions of folks are walking around everyday with cameras in their pockets (a.k.a. cell phones). The authorities in London have created a "ring of steel" (i.e. constant surveillance) of "The City" and New York will soon create the same in the Wall Street area.
And, consider this, would the atrocious beating of Rodney King have been known if the person with the camera felt that videotaping the event was too disturbing?
It's not a professional PJ's world anymore. We are all potential PJ's.
BTW, anyone been to You Tube lately?
Conveniently left out of the Fresh Aire show on NPR was that when we retreated from Somalia after the "Black Hawk Down" attack by al Qaida in Mogadishu, bin Laden held it up as an example of America being a "paper tiger" (his words)... And you can draw a straight line from that retreat -- fuelled by that PJ's shot -- to the 9/11 attacks, also by bin Laden.
So Yes, a photo can have a profound effect, for years to come.
....I have seen many gruesome accidents on the Autobahn in Germany, shit happens at 200kph, and it's not pretty. I have never felt the desire to record that particular carnage in any shape or form....
That reminds me of being on the autobahn driving to paris one time - seeing a mercedes coupé that was about 2m long...! I'd NEVER seen anything like that in north america! It wouldn't be such a bad idea to have a pic of that to put on billboards though...! Give people a little reminder!!
The closest I get to an agreement is with George. I have my standards. And that's what they are. MY STANDARDS. I have seen many gruesome accidents on the Autobahn in Germany, shit happens at 200kph, and it's not pretty. I have never felt the desire to record that particular carnage in any shape or form.
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tim in san jose
bjorke, we probably all have, for one reason or another, regretted the creation of an image/s
What images? Why the regret?
You ducked the question while pretending to answer
The story of the ER tech with the covered body... bad taste to photograph it? Why?
If you are half the photographer you might think you are, you might find a way to pull something out of that scene that doesn't reflect a voyeuristic glee of horror. You might just find a way to pull the pain, the sorrow into an intense amazing work of art. Art for yourself.
Could I do it? Maybe not. But, if the scene presents itself to me, I might make the effort. I might see what you can't see. And I dare you to judge me.
I don't know what anyone would have seen in bloody bits of train induce gore. It's an accident on the autobahn all over again. But... it's not for you to judge.
http://www.esquire.com/print-this/ESQ0903-SEP_FALLINGMAN
Here is a very poignant article that is very relevant to this thread.
Under the circumstances described about the death accident, picture taking is utterly and completely tasteless, inappropriate, irreverent, and disrespectful--at least people of my generation would feel that way.
It was, in no way, a matter of "taste". In my evaluation (for want of a better word) I could imagine/ fortell the additional pain that image bring to the Firefighter - primarily. My choice was to NOT take the photograph - and I do not regret my choice.
Interesting. I should initiate a poll. "Do you think you are half the photographer you think you are"?
- I might "find a way"?
How on earth can you, from what I have described, draw the slightest inference that there was ANY sort of "voyeuristic glee of horror"? That scene was the polar opposite of anything like "gleeful, joyful, happy." There was nothing to celebrate., only the intense feeling of loss, tremendous sadness, frustration...
Too much to bear, really - or photograph.
Could YOU, or anyone else have "done it"? I don't know - possibly. I don't really care; all I know is that I did not photograph that scene.
What is this preoccupation with "judging"? I am not out to judge anyone ... why should I? I am neither evangelist nor moralist ... what others may do in photography is entirely up to them. I have enough trouble try to stay true to my own values. All I can, all I want to do, is to tell what happened and, feebly, why I did what I did.
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