bwfans said:If no one stocks up then Ilford film is really dead. There is a real need for the spike for Ilford to get a buyer.
Without a buyer what do you think Ilford will do to their B&W film production line?
A short sightness will lead to the conclusion of premature buying, but look further it is not. If everyone very coolly standing on the shore, holding on the purchase then your dearly Ilford films will be very maturely dead.
jandc said:The actual reality is that a handful of people buying a bunch of film isn't going to make any difference at all as the total number of square meters of film this represents to Ilford is a decimal percentage of their production.
bwfans said:We buyers "isn't going to make any difference at all"? I don't think this argument can sustain the test. Take AZO paper as an example, I was told Michael Smith helped to save the Kodak production line on this paper by putting large orders. It seems he worked with Kodak alone. I guess that time may really have "a handful of people" laughing at his "buying frenzy".
About the necessity of stocking good old films, now Michael Smith probably sit on his stack of Super XX films, laughing at those who likes the film, but got no films.
Because of my hopeless "buying frenzy" a few years ago, I am glad today I still have cases of APX25 well stored, with 2005 expiration date, and expect to be usable at least another 3-5 years after the expiration date in the freezer. How many people interested in APX25 and have to pay $10+ a roll in eBay today?
Sniff you sure know how to make a guy feel smalljandc said:What you don't understand is that the artistic photographic community is a very small percentage of Ilfords, Agfa's or Kodak's film sales. Every one of us could buy a 5 year supply and it still doesn't move the meter. One government order for B&W film from a small nation is more meaningful to these companies than all of our B&W sales put together.
jandc said:You prove my point. Michael Smith buying every box of Super XX he could find didn't stop the discontinuation of Super XX. You and all the others hording Agfa 25 didn't keep it on the shelves. Same deal with Agfa sheet films and 120 film, the production line is gone and it's not coming back. Azo is still there because Kodak has the line up and Michael ordered a huge quantity at once. If the line goes down because Kodak decides to dismantle it then nothing will get it going again.
What you don't understand is that the artistic photographic community is a very small percentage of Ilfords, Agfa's or Kodak's film sales. Every one of us could buy a 5 year supply and it still doesn't move the meter. One government order for B&W film from a small nation is more meaningful to these companies than all of our B&W sales put together.
TPPhotog said:Try this thread that got me hooked on Rodinal ..... here comes MortenLOL
Still lifes? Can't wait to see thosemodafoto said:haha!
I am glad that people are getting unto Rodinal. I am working on some funny still lives featuring Rodinal as a model!
Rodinal is addictive...give it to your kids!
Morten
jandc said:What you don't understand is that the artistic photographic community is a very small percentage of Ilfords, Agfa's or Kodak's film sales. Every one of us could buy a 5 year supply and it still doesn't move the meter. One government order for B&W film from a small nation is more meaningful to these companies than all of our B&W sales put together.
Sean will, he has a bit of spare room next to his monster enlarger. They just need to put in on the New Zealand auction site.bwfans said:Now let's have a rest, guess who will buy Ilford's monochrome business.
bwfans said:Now let's have a rest, guess who will buy Ilford's monochrome business.
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