You need one to use, one as backup, and one as backup for the backup if the user breaks.What do you all think about owning more than one camera? I'm asking this because two weeks ago I broke my Yashica mat 124 G and had to mail it out for repairs. Though I just got it back and don't really have any real photographic plans for these last weeks of the year, I've been thinking, I should probably have a spare medium format camera in the event something like this happens. As for 35mm cameras, I have some not so valuable ones and a Mamiya NC 1000 (though I need to get some sekor lenses for it), in the event I break My Nikormat- Though it's easier and cheaper to find a decent 135 camera vs a 120/220 camera. And, if I broke my digital camera, I could probably just borrow a spare from my college's photography program (though the slight exception would be learning canon, but that's not a big deal). Though I kind of enjoy collection any half decent cameras (no point and shoots unless they have film in them), is my spare camera idea worth considering?
You need one to use, one as backup, and one as backup for the backup if the user breaks.
More important is to keep the cupboard trimmed properly. For instance, if you take one Spotmatic out, you have to shift a couple lenses or a Nikkormat to keep it on an even keel and prevent list....and a whole bunch more to keep the camera cupboard from floating away.
I have never been a professional, but I have had at least two film bodies since the 1970s. I don't think that is all that unusual for serious amateurs even back in the day. I'm not currently hoarding any for posterity.Multiple film camera ownership is mainly a digital era phenomenon. Yes, quite a few people owned two, and a professional might have three in the same less mount, but the vast majority of keen amateur photographers used one camera - in any film format. Camera proliferation is the result of cheapness and availability, novelty seeking, plus a dash of neurosis. The worst that could happen was a camera was stolen or lost, and the owner had to buy another. Now good examples are stored for posterity, leaving lots of worn cameras and a desire for redundancy and multiplication.
I have never been a professional, but I have had at least two film bodies since the 1970s. I don't think that is all that unusual for serious amateurs even back in the day. I'm not currently hoarding any for posterity.
Yes, quite a few people owned two
Maybe we just have different ideas about what is "keen photographer" is.the vast majority of keen amateur photographers used one camera
I'm not sure why.I was taking issue with your statement:
Because I didn't think your statement that "the vast majority of keen amateur photographers used one camera" was true. Like I said, perhaps we have different ideas about what a "keen amateur" is.I'm not sure why.
Of the group of "serious" photographers I knew from the 1970s onwards, many of whom exhibited in galleries, most used one main camera. Of the Leica owners, I knew a single individual with more than one Leica. I wasn't claiming multiple ownership of cameras in the same mount was rare, I am saying of the people I knew - committed, non-camera club types with access to a darkroom - the majority used one camera. Quite a few mainly used one lens, generally a 50, 35 or 28mm. Multiple film camera and camera system ownership of the kind that is common now was unusual among the people I knew.Because I didn't think your statement that "the vast majority of keen amateur photographers used one camera" was true. Like I said, perhaps we have different ideas about what a "keen amateur" is.
I hesitate to say this, but if I had a Yeshica MF, I would definitely have a spare, like maybe a Rolleicord or Rolleiflex , or maybe even a Hasselblad.....Regards!What do you all think about owning more than one camera? I'm asking this because two weeks ago I broke my Yashica mat 124 G and had to mail it out for repairs. Though I just got it back and don't really have any real photographic plans for these last weeks of the year, I've been thinking, I should probably have a spare medium format camera in the event something like this happens. As for 35mm cameras, I have some not so valuable ones and a Mamiya NC 1000 (though I need to get some sekor lenses for it), in the event I break My Nikormat- Though it's easier and cheaper to find a decent 135 camera vs a 120/220 camera. And, if I broke my digital camera, I could probably just borrow a spare from my college's photography program (though the slight exception would be learning canon, but that's not a big deal). Though I kind of enjoy collection any half decent cameras (no point and shoots unless they have film in them), is my spare camera idea worth considering?
After over 50 years as a "Serious Amateur", I only have one of each camera model that I own. One Leica M2, M3, one Rolleicord, etc.....Regards!I have a spare SLR, spare TLR, spare 6x6, spare point and shoot, spare rangefinder, spare scale focus, and I have spares for all these.
Joking aside, I have two Pentax K1000's, an ME Super and a K mount Promaster. One summers day the K1000 had a jammed shutter, the Super had battery contact problems, and the Promaster's batteries ran flat. No problem! Picked up my spare K1000! These cameras are getting old and I know that they'll bite the dust at some point, the more the merrier.
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