In 2018 (= in less than two days, woo hoo!) I've resolved to shoot more film and make more use of my mechanical cameras rather than rely on digieverything. Partly because I'm quite sick and tired of the bland quickie results I'm getting from digital, but largely as I have hundreds (and I do mean hundreds) of 35mm and 120 films lying in state in my two home freezers, and I'm determined to use these up before my cameras (and the photographer) give up on photography altogether and/or bite the dust, whichever comes first. At my age, this is mostdefinitely a No Joke statement...
For the last few months I've been carting around a Nikkormat FT2 (bought in 'as new' condition from the now-legendary Grace's Pawn Shop in KIng's Cross, Sydney in the '80s, for what I thought at the time was a small fortune but now seems like very small beans) and a 35 f/2 with a 28 f/3.5 and an 85 f/2 in the bag. Other than the usual lament about time spent in front of the scanner and laptop and consequent increase in my red wine intake, I'm more than happy with the results and I will continue shooting in this style for all of next year.
I've never been one to 'machine-gun' film through my cameras and I've carried over my film frugality to my digital shooting. Unfortunately too many photographers blitz everything on digital and seem to lack the basic good judgment to know when and how to edit (= delete) their bad shots, so the lot gets posted online and the shooters get offended if/when most of us old-timers decline their heavy hints to log in and look-see. at the 2,849 images they shot of the grandkids at last weekend's Kinder Klub Christmas party.
As for me, as an Official Oldie (and a photographer since 1962) I now happily point out to them that at my advanced age, life is too short to waste valuable time on or, the gods forbid, taking bad photography. If my attitude offends them, well, too bad...
My intended personal goal for the new year is to reduce the amount of shooting I do with my two Nikon DSLRs by at least 50% and re-learning to compose with shadows and highlights as I did for so many years with B&W film.
To return to the technicalities, I no longer put batteries in my three FT2s and set my exposures with either a Weston Master III or V with Invercone or one of my Gossens Lunawhatevers. Also a K2 Nikon filter to spiff up contrast a bit on cloudy day shots and of course the appropriate Nikon lens hood.
I have always thought that photography should be about using the minimum of equipment to produce the maximum of good results. Mechanical cameras fit perfectly into this mind-frame and given a little time and effort in shooting, the results can often be nothing short of astonishing.