- Joined
- Dec 10, 2009
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- Multi Format
This type of digital manipulation will never go away, just like fake wood will never go away. And just like fake wood, 90% of the population doesn't know or care.
Digital emulation of film is no more cheating than was the pictorialists' emulation of fine art paintings in their photography. And I've never been inclined to call Stieglitz, Steichen or the early Ed Weston "cheats". Film emulation is, however, open to the same criticism that the Group f/64 had of the Pictorialists: that in their quest to elevate photography to an art form by emulating painting, they were denying the artistic nature of pure photography, "possessing no qualities of technique, composition or idea, derivative of any other art form". In this context, the critique would be that emulating film denies the artistic possibilities of the new, digital medium in its own right.
Film is absolutely superior.
Some people simply can't afford film, a darkroom, and time.
Digital is like cyber-sex: simply unsatisfying.
Besides, as long as you're shooting roll film, you're just a poser working in a inferior medium trading quality for effort, trying to replicate what the plate photographers did first and did better.
It's only cheating if the results are convincing.
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