As the creator of an original work of art, whether with paint, film or pixels, I would be flattered if someone saw fit to immortalise it with their own medium (usually a mobile phone). I say this as I long ago realised that I really have no other choice or say in this matter.
On the other hand, if someone were to steal one of my posted images (unlikely as my architectural and design photographs are secure in password protected folders in a clients only access restricted web site), I would firstly verify that the image was mine and then send an invoice for full payment for its use on 30 day terms. I had to do this only one time, in 2004,after a writer I unwisely allowed to browse in my then new web site snagged three of my best original images which were published without acknowledgment or credit with the article. After a lively exchange of emails between photographer and publisher, the editor grudgingly paid my fee, noting that that he would never again have anything to do with my work or with me. I dislike thieves, so this suited me fine. A year later I noted with satisfaction that the OL publication had folded. The last laugh, like the word, is always the best.
With photos, I consider that making an image is more recording than theft, tho' much of this depends on what use is intended for that image. If non-profit, I tend to be flexible and err on the side of generosity. If for profit, the invoice goes out immediately for 30 days payment. I firmly believe the spoils of commerce were meant to be shared.
They may have thought you were crazy!Good for you! On rare occasion I have stopped someone taking a photograph and warned them that they could be held liable for theft. Most of them do not take the photograph at least while I am there.
If taking a picture of an object on public display is theft, then I have committed many such thefts.
Welcome to the 21st century.
I think that if a photo opportunity is within the public realm - it's fair game.
In the OP's example, I'm sure the mobile phone image quality, shot through a window, was nowhere near the aesthetic qualities of the actual paintings.
Who in their right mind would equate the two ?
JP
I don't know how it works in the US. Here if you're standing on public property then (unless you're photographing one of a few named state military sites) you are within your rights to take photos.
if the artist is present, i ask if i can take a photo and respect whatever they decide.
when i used to post to flickr, i had two of my shots downloaded from the site and then used in adds for various things. that i consider theft, but taking a photo of something in a public place for non-commercial use, i dont
art work hanging in a museum, people take iphone shots; art student sit in front and make "copies", practicing, and encouraged to do so; photographers are allowed
to take pictures at museums, ("no flash" please)... all inappropriate or theft?
It's unclear if you're making a moral assertion or stating law.
In the UK the chipotle lady would only have a claim if her inclusion in commercial material was money-making and this was demonstrated.
Generally you don't need someone's permission to photograph them and to satisfy UK law.
Personally I think this is a good thing. As ropey as the press can be, a functioning investigative media is vital for democracy.
There is creep of personal moral idealism towards law. I agree it is nice to ask permission but it's often not reasonable. You'd never see a broadcast image of a crowd ever again!
We don't own the light we reflect. The desire to make that claim strikes me as unhealthy.
Copyright infringement (of work) is entirely separate.
Actually, you can't say that's not happening. I've done numerous Art Festivals where someone has taken a cellphone photo of my work. Usually, it's so a spouse (who is not present) can see it. On more than a few occasions the photo has led to a sale. In one case, the husband responded within about 10 minutes, and the wife plunked down good money for the photo. On other occasions, both returned the next day, which has led to multiple sales. In fact, I now pull the photo off the display, bring it outside, and hold it for them, so they can get a better photo.If someone saw my images, and was interested enough to whip out his iPhone and take pictures of them, I'd be flattered. I'd be more flattered if he bought them, but we all know that's not happening.
A simple and effective solution
it is, unless the person has extrapolation software which doesn't really cost much ...
AND it says nothing about people photographing other people's artwork and
using it without their permission ... can't really choke the rez of someone photographing original artwork ( in person ).
Extrapolation, where plenty of information has been lost and added by the downsizing, such as texture, edges, etc, will *not* recreate the original image,
when i used to post to flickr, i had two of my shots downloaded from the site and then used in adds for various things.
By uploads I was thinking about files at 72dpi.
You're right, handing over images at print resolutions could (technically) be used for almost anything.
"... you can believe whatever you want ..."
So can you, but I know the math. Information is lost, there is no getting it back.
However, it may look close enough for people who aren't looking for it, or have a less than critical eye, or don't care.
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