Alex Varas
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Well said and I agree 100%. Changing bellows on larger format cameras is not fun, but on these smaller 645 cameras is absolutely dreadful. You almost need an extra set of very small hands. Not a fun thing to do, but maybe that's just me.I tried several 645 folders, now in the workshop a Pearl IV, same kind of viewfinder than Fuji GS645 Pro, really good. Sadly that camera is as expensive as the Fuji and it has better counter than the III version. This Hexar of Konica is a jewel.
Both cameras will need new bellows if they are not changed already.
My option would be a Super Ikonta 531 with clean glass, no matter if it’s coated or not.
The Fuji or Super Ikonta 531 are good investments.
Super Ikonta will outlive the Fuji for sure over time.
You should like the Konica Pearl if it's in good operational condition (No idiot tampered with focusing). I've been watching for a deal on a Mamiya 7, but I'm afraid my wife might be shopping for a casket before a deal comes along on a Mamiya 6 or 7. Yikes, those prices are terrible!Well, I ended up ordering a pearl II last night! I think it'll be a good balance of quality and ease of carry. The sample photos seem like it'll be a great in between for a day that I want higher quality than my 35mm cameras but don't feel like lugging my RB67 or 4x5 around. 16 shots will feel great with the Provia and Velvia I have too! Thanks for all the comments, I'll probably keep my eye out for a deal on a mamiya 6 or 7, or Plaubel Makina when the time comes to part ways with my RB67.
I'm afraid my wife might be shopping for a casket before a deal comes along on a Mamiya 6 or 7
Much greater!And if you buy one that isn't a really great deal, is the likelihood even greater that she will be shopping for a casket.....?
I have changed bellows for Pearl III, it was a pain but worthy.
did you make the bellows yourself, or did you find a source for them?
Customs Bellows UK does them, I sent original ones so he could replicate them.
They did a good job.
I have gotten a pearl 2 but my bellows also need replacement. How was the process? Seems like some shenanigans are necessary to get the film gate out. Any chance you took some photos along the way?
The film gate has a fairly wide lip that snaps/folds over the body. You have to gently bend the lip at the corner to start lifting the gate over the body. Then gradually pry it out. It's difficult.
No, I do not agree at all.All old folders are a craps shoot.
+1 for the Pearl III. I have had quite a few 4.5x6 cameras, see https://www.120folder.com/compa.htm, it still is the best for me and I still use it. I was lucky with the bellows, I had 3 in total, all fine, 2 of them I gave away to friends.
I was not lucky at all with the Fuji GS, both of mine failed, the last one I sold to my repair man after 3 repairs.
And I'm still fond of my Fuji GA645Wi, non folding, but a real point and shoot in MF. Wonderful.
I'm lucky to have a french friend who is fond of repairing old cameras in his free time and became an expert over the years. He also takes in those of his friends. So mine get expert care...Good to hear it holds up as a genuine shooter rather than just a shelf piece. Three bellows all coming through clean is either very good luck or very good storage habits, probably both. Do you tend to handle basic maintenance yourself, or do you send everything out? Curious how people approach it with older gear like this.
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