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- Oct 26, 2015
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It depends on what your photographs are worth. It is easier to replace the seals than save a photograph damaged by a light leak. It is easier to replace the seals than do a complete CLA because the mechanism got gummed up from sticky, gooey seals.
It depends on what your photographs are worth. It is easier to replace the seals than save a photograph damaged by a light leak. It is easier to replace the seals than do a complete CLA because the mechanism got gummed up from sticky, gooey seals.
In my experience, XA2 is best at higher shutter speeds and smaller apertures - so I use typically ISO400 rather than my normal 100 or 200.
I always replace the foam along with a general clean and a shampoo/balsam treatment of the leather (if any). As people have mentioned, old foam bits can travel to the shutter or the viewfinder where you can't get to them. Another reason I replace the seals is the tighten up the film door. Rattly doors make the camera feel cheap and new seals usually pad it out enough to make it feel solid.
If required, I buy the self adhesive 2mm X 2mm foam light seal strips ( because I find cutting foam into accurate 2mm strips impossible) and sheet self adhesive foam of the correct thickness I require off eBay..
"Light seals" are not always for light, very often the light is dealt with by a labyrinth, the foam is there to keep dust out. Dust is not good.I've been wondering about the importance of replacing light seals.
In my SLRs over the years I've done it time and time again. No issue, a few hours of work and good as new. I just got an XA2 in the mail, camera works fine and I passed a roll of HP5+ through it and see no light leaks. However, the seals are basically gone and need replacing. Issue is that the XA series has much tighter tolerances than the SLRs I've worked on.
Should I poke around and try to replace or just leave and let be? I never bought any kits, always fabricated myself out of foamies and used film can felt.
Camera if fun to use BTW but I'm not seeing the awesome lens that people go on about. Guess I'll need to run more rolls through it!
"Light seals" are not always for light, very often the light is dealt with by a labyrinth, the foam is there to keep dust out. Dust is not good.
And yes, I replace them. Sometimes I use black wool yarn, and felt for a mirror buffer - it depends on the camera. At the moment I have in use a badly neglected Nikon F2, I removed all of the dry foam around the back, and am using an improvised mirror buffer, just to run one roll of film to identify any issues I've missed so far. When it gets overhauled, it will recieve new Sover Wong foam seals.
Nice non standard workIt's my camera, I'll bubba it the way I want.
You won't like what I did with the seals. Not a bit...
And the back's even better! I have a new mirror!
But no worries! I ordered some nice red leatherette to recover the back. It's my camera, I'll bubba it the way I want.
Nice non standard work!
The seals... are... purple... .
No worries, I keep looking at the white lacquer and my Kiev 4a that has most of the black paint worn off. A white Ukranian might be in the works, I need to learn to use lacquer for another project, and the Kiev has fuzzy ribbons.
OK, purply-pink. That's as far as I'll go.It's pink you philistine! Get your color wheel out. Anyhoo, I think I'll used the leftover leatherette on one of my Argus C3s. The old girl can do with a makeover...
OK, purply-pink. That's as far as I'll go.
No. Go over it with a black sharpie.Tangy-Taffy colored?
N
No. Go over it with a black sharpie.
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