If there isn't some "play" in the photography you do for yourself, you are not having enough fun.
That being said, it is easier to play if you've done some preparatory work before.
I've got a just developed negative drying now which is the result of some lateral thinking related to the current Monthly Shooting Assignment. Thinking up good ideas for participating there is one way I like to have fun.
Some will say that the camera is a box and it does not matter. Well yes, it can matter. So I believe that one should buy the best equipment that they can technically and physically handle and afford. Beyond the choices of sending film out to be processed, developer choice, darkroom equipment choice, darkroom technique, hybrid route or all digital route, it all comes down to the ability to properly compose a photograph to capture the mood, look, vision et al that the photographer wants. There are rules of thumb which are not iron clad commandments, techniques, understanding light, ... but each one of us needs to learn composition. I could provide a short list of books which helped me, but that is just one way to learn composition. How did learn composition? When I was growing up my parents took us, whether or not we wanted to or needed to, one day every weekend to art museums in the Baltimore Washington DC area and dragged us through the rooms looking at art for years. When one sees enough art, one somehow is most of the way there, only moving in closer, framing and cropping remain to be learned about composition.
How to play with the rules of political correctness in the technical profession of photography to find interesting and/or experimental outcomes without all my creative energy having been exhausted before I started developing the image?
I wouldn't waste a lot of energy worrying over what makes sense or doesn't, you've put yourself in a box by doing that. In fact, the less you think about any of this stuff the better off you'll be. Ideas are useless in and of themselves, we live in a universe where they have to be put into action or they have no value, they may as well not even exist otherwise.does it make sense to take another photo of the forest, the architecture of my town, etc?
Codes are much more flexible and malleable than rules. They are sings and patterns, or series of signs and patterns, that are share and understood collectively. And what's really interesting, is that they induce expectations. And that's when creativity comes in. You expect things to go a certain way, and it doesn't. And when it doesn't, new meaning is introduced.
The technical stuff is important, but once it's learned forget it and deal w/ the image. Deal w/ it, make it, love it or hate it, but don't think about it, Nothing has ever been accomplished by thinking, and a whole lot of wondrous things have been nipped in the bud by thinking about them too much.
It would be naïve to think that this problem can be solved in a forum, but in any case I was assailed by the question of how satisfied the participants are with the type of image that proliferates in the galleries here. Can you perceive any change in the themes, image treatments in these 20 years that APUG/PHOTRIO exists?
Nothing has ever been accomplished by thinking
the dominance of... codes in our practice and operations
interesting and/or experimental outcomes
That just about sums it up in a few words.Been working long enough that the technical and the creative work together to create a photograph.
I'm at the other end of this spectrum, and would state, without any hesitation, that nothing of importance or of interest has ever been accomplished by not thinking.
I can't think of a single photographer of note - Walker Evans, W. Eugene Smith, Ansel Adams, Robert Adams, Gordon Parks, Dorothea Lange, Dawoud Bey, Koudelka, Cartier-Bresson, Minor White, Luigi Ghirri, Danny Lyon, Mary Ellen Mark, August Sander, Latoya Ruby Frazer, Richard Avedon, and hundreds of others - who didn't/don't think long and hard about what they were/are doing, how they were/are doing it, why they were/are doing it, for whom they were/are doing it, and a whole lot of other questions. This is not a matter of opinion: we have plenty of their own writings, transcripts of conversations, interviews, etc., that tells us sometimes more than we want to know about the thinking process that went into their "doing process".
Thinking is part of the creative process, and there is no such thing as "over-thinking". It's good for any art, such as music - jazz (Duke Ellington, Miles Davis, Bill Evans, Charles Mingus, John Coltrane were all great thinkers of their art), classical music (from the middle ages to Bach to John Cage to Steve Reich), rock/pop/hip-hop are full of great creative thinkers -, painting (think of the journals of Da Vinci or Delacroix), etc.
Thinking is not an impediment to freedom, thinking is a way of unlocking freedom. This, I think, is what the OP is after: how to break free from the endless repetition of the same, i.e., "generic" shots of buildings, flowers, sunset, people doing whatever in the street, etc., what he aptly called...
...in other words, making them "un-generic", or find for them
On your death bed, you're not going to say, "Gee. I wish I spent more time in the darkroom."
I already wish I spent more time in the darkroom. It's enjoyable and challenging too, and results in prints I can give away or enjoy by myself. I should spend more time there.Relax. It's only a picture. On your death bed, you're not going to say, "Gee. I wish I spent more time in the darkroom."
If someone sent their negatives out for a lab to print out, then they could spend more time giving more of them away to friends and family spending more time with those you love rather than being stuck in the darkroom alone.
Alan, I'm not doing it wrong. Neither are you. It's all good.If someone sent their negatives out for a lab to print out, then they could spend more time giving more of them away to friends and family spending more time with those you love rather than being stuck in the darkroom alone.
For many people, making a print in the darkroom is very important. I wouldn't use film if I didn't enlarge it.
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