- Joined
- Jan 28, 2009
- Messages
- 137
- Format
- Multi Format
I've posted this before, but it's appropriate here:
National Geographic, 1958
\Sorry, I have to disagree. It's a saccharine coated sugar pill of sentimentality that too much US TV and films rely on.
the emotionlly tough south london crew has spoken,in filmic terms uk tv commercials are some of the best in the world.
music videos used to be good as well.
but drama is a disaster.
is the wire to sweet for you,six feet under,dexter.
these are all shows that have more ideas in them in 2 mins than 60 mins of uk tv.
the interplay of good writers,directors and actors.
the americans understand character development,look at the sopranos.
what i liked about the clip was it's sentimentality, the old versus the new.
the Proustian,remembrance of things that have past.
memory in the analogue,not digital.
go on admit you had a little tear in your eye.
\
the emotionally tough south london crew has spoken,in filmic terms uk tv commercials are some of the best in the world.
music videos used to be good as well.
but drama is a disaster.
is the wire to sweet for you,six feet under,dexter.
these are all shows that have more ideas in them in 2 mins than 60 mins of uk tv.
the interplay of good writers,directors and actors.
the americans understand character development,look at the sopranos.
what i liked about the clip was it's sentimentality, the old versus the new.
the Proustian,remembrance of things that have past.
memory in the analogue,not digital.
go on admit you had a little tear in your eye.
I prefer British drama to the formulaic crap that gets shipped over from the US. Shakey camera work (woo, how original) split screen (gosh, never seen that before), graphic violence (whoop de doo).
Six Feet Under was total crap, it was well named because that was where it belonged. Then you send us Lost, more crap that has no plot and is made up as it goes along. The Wire I've seen dozens of times in many different forms, nothing original there. Dexter, gosh its Monk but he's a reformed serial killer.
There was more originality in the opening credits of The Office than I've ever seen in anything that came across the Atlantic.
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