Well then it seems your option is take it for a test drive and see its full potential with your own eyes.
It's an interesting time with this level of camera -- Hasselblad, Fuji, Phase One...as good as "35mm" digital cameras are, these offer a depth and 'look' that surpasses them.
From Canon, it looks like any of the imagePrograf printers. I have a slightly older Pixma Pro-10, and versus the Epson model of the day, Canon was larger, heavier, and didn't handle larger roll-feed paper. But OTOH in the past couple of years, I haven't experienced a single head clog. No special maintenance on my part except to power it up periodically, run a print or two, and ensure that ink carts don't dry out. Versus current models, mine lacks Photo Gray, but to date have noticed no shortcomings at all in the quality of it's output. Downside of more pro-grade printers is higher cost for a full set of inks ($700, in the case of imagePrograf 1000). Yes those are pretty big ink tanks but you need to print a certain volume in order to realize a cost savings per print, as eventually the ink in those tanks will simply dry out regardless of whether you are printing or not.What is the current SOTA in printing technology these days?
Why not?Thanks, but only the model is in focus. I need some scenes of the real world (preferably daylight).
But also, viewing images on any type of screen (mine is 4k) is not going to be the best way to show a cameras full potential.
From Canon, it looks like any of the imagePrograf printers. I have a slightly older Pixma Pro-10, and versus the Epson model of the day, Canon was larger, heavier, and didn't handle larger roll-feed paper. But OTOH in the past couple of years, I haven't experienced a single head clog. No special maintenance on my part except to power it up periodically, run a print or two, and ensure that ink carts don't dry out. Versus current models, mine lacks Photo Gray, but to date have noticed no shortcomings at all in the quality of it's output. Downside of more pro-grade printers is higher cost for a full set of inks ($700, in the case of imagePrograf 1000). Yes those are pretty big ink tanks but you need to print a certain volume in order to realize a cost savings per print, as eventually the ink in those tanks will simply dry out regardless of whether you are printing or not.
Why not?
You could zoom in to see how details are rendered. But the point of high resolution digital images is the ability to crop without losing quality and to make ridiculously large prints. But to the original point of only the model being in focus, you don't have the kind of detail in the photos that might reveal flaws like color distortion along the edges (I know there's a term for it but it doesn't come to mind).What type of monitor can show us the full resolution of even half this number of pixels?
You can simply examine part of the picture at a time. You don't need to see the whole image all at once. But they have 8K monitor now that comes pretty close.What type of monitor can show us the full resolution of even half this number of pixels?
You can simply examine part of the picture at a time.
But they have 8K monitor now that comes pretty close.
OK. So a film photograph examined that closely looks real? Examples, please.I do, which reveals that it is clearly an artificial facsimile (doesn't look real, still not impressed).
OK. So a film photograph examined that closely looks real? Examples, please.
Really? Examples, please.This is certainly the case with slide film. But how much closer will a high end print from the GFX get?
Really? Examples, please.
I would just like you to present one that you think looks "real" and more "real" than a very high-res digital image.
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