I think this is a key point. I am not sure how one would get accurate data, but I suspect with any product it is many, many times more likely that a real or perceived problem will come up in an unsolicited post than there will be posts about how great some new item is.Most don't. Many on the internet do.
Very true. I have 4 systems and, for each, not many parts. But the parts I have were available and carefully curated to my evolving needs. In hindsight, I could have survived quite nicely with just 1 system... but each brings a different joy.'system camera' is one potential solution -- I consider them the ultimate adult Tinkertoy
Photographers, both professional and non professional, like to complain (it's human).
If it's not about the camera then it's the light.
If it's not about the film then it's the lab.
If it's not about pre wash then its indicator stop bath prices............................
Sometimes we can be a grumpy bunch.
They turned the hockey arena for the Nagano games into a swimming pool.All the time! The worst ice I played hockey on was in Japan!
That's the way I feel too. I have acquired over 50 cameras in the last 45 years and can't complain about any of them. They work as intended and that's all I ask.I love all my cameras.
We are not fickle we are exigent that's all.
Making art is easy? I think that is one of the reasons people refuse to be an artist -- too damn hard.Its all done to create a mystique, an idea that its harder then it is. No mystique, no cult following.
Making art is easy? I think that is one of the reasons people refuse to be an artist -- too damn hard.
The upside of all the complaining and whining is that it creates a demand for innovation.
Yeah, but all that has nothing to do with creating art -- that is all self-promotion, which is not art, but instead is in the world of the business of art.Its an easy theory to understand, the creation of a mindset of mystique and difficulty about what you do. Even the creation of a sense of "danger" in what you do in the mind of the viewer/audience. ...?
Yeah, but all that has nothing to do with creating art -- that is all self-promotion, which is not art, but instead is in the world of the business of art.
in MANY circles of the modern world, if you dont have a twitter or instagram account your not considered a photographer. In some instances you need to have a minimum number of twitter/instagram/facebook followers to be considered a photographer.
I do not consider those circles worthwhile. My time is important so can cannot be bothered with the opinion of EyeD10Ts on twitter./instagram/facebook on my photography. They are not worthy.
Ah but they are the nature of the customer base we have to deal with. The nature of the possible model we may have to try to deal with.
The old adage that you can give a photographer a camera and they will get a picture is long gone.
Nowaday, to even do a FREE photo for someone who considers them self to be a model, you need that twitter or instagram account and a few hundred photos on it, and a few thousand followers. To be CONSIDERED as a photographer.
Then you are expected to have a digital camera of the last two releases from any brand, and 10-20,000 dollars worth of lenses, 30-40,000 in studio equipment, a studio, more sets then a soap opera has, 6 or 7 gofers and hair and makeup people running around non stop.
I will need more breath in the sample (beyond just lomo) to match real-world conditions. As someone else said -- I do not move in those circles. There are all sorts of artists, working on many different levels, on many different platforms and in many different media. My work does not translate worth a damn onto a screen...any power the image has may come through, but rarely any sense of the actual piece, where the texture of the image and/or the paper are part of the image as presented.When I was bored and dug through the lomography magazine articles ...
At work they had the break room tv on some entertainment news program last week. EVERY "celebrity" on that episode was a celebrity because they had at least 50,000 instagram/facebook/twitter/tik tok followers. One only had 30,000 people view their page to become some sort of super celebrity disk jocky online.I will need more breath in the sample (beyond just lomo) to match real-world conditions. As someone else said -- I do not move in those circles. There are all sorts of artists, working on many different levels, on many different platforms and in many different media. My work does not translate worth a damn onto a screen...any power the image has may come through, but rarely any sense of the actual piece, where the texture of the image and/or the paper are part of the image as presented.
One should have the tools of the trade one is in and not be too surprised at the costs of a running business.
My trade is to KISS.
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