I never use yellow filters...should I start?
... I saw this old neglected Soviet Zenit and felt with some TLC it could be "tuned" into a usable instrument.
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I never use yellow filters...should I start?
You might try a light green filter? Here are some examples https://hoyafilterusa.com/how-filters-for-black-white-photography-work/I shoot people for the most part. I guess that's why I've not bothered much with filters.
That was kinda my point, that an "average" person would never be able to get great results (and no one is pretending these are great cameras, quite the opposite).Same with cameras. Zenits are bad instruments.
... just like a great musician came make beautiful music on just about any piano they play, if it is in tune. But an average player can sit in from at the best piano on the planet and they will still just be average. .
Where are bad and good instruments. If you are amateur with one roll per month, then you will be ok with Zenit.
On previous week we have to connect 2x600 wires by screwdriver. At HQ they gave me bad screwdrivers. I gave cabling crew my goodscrew driver. If they would use bad screwdrivers - bolsters.
Same with cameras. Zenits are bad instruments. Some of them so bad, they have sharp edges on shutter release.
And all of them are limited by 1/30 and 1/500. So-so instrument capabilities. But ok for amateur.
Oh, Zenit is not a girl, btw. Do you call Nikon as girl?
You really aren't getting the point. No one is saying that a Zenit is a great camera! lol Of COURSE I understand there are much, much better cameras, and that the Zenit has serious limitations and are notoriously unreliable.Then our town build art center, town consuls have similar discussion. Those who are just unaware like you, were saying same thing. Those who are educated, knew what great musicians simply refuse to perform on stage if piano is not the Steinway.
Sorry.
Same is Zenit. For static and well lit objects their dull and primitive focus screens are OK. But in low light and for reportage they are bad instruments.
If you can't hear and feel the difference between the Steinway and the rest, it doesn't mean great musicians are same way.
Sorry.
You really aren't getting the point. No one is saying that a Zenit is a great camera! lol Of COURSE I understand there are much, much better cameras, and that the Zenit has serious limitations and are notoriously unreliable.
My point was that any camera is limited by the person behind it and no matter how great the instrument is (Steinway or Hasselblad), someone who is bad will never get nice results. I doubt I could play chopsticks on a Steinway. And I would never take a Zenit to go do my professional event photography, I'll use my D4 for that. But it doesn't mean that it's a useless instrument that can't make interesting images in the right hands. I hoped my example shots would show this. Yes *gasp* I have shot some what I think are pretty cool images from an old Tower box camera. That doesn't mean I am an ignorant twit that doesn't understand that it's not the equal of a Rolleiflex 2.8D. *sigh*
... But it doesn't mean that it's a useless instrument that can't make interesting images in the right hands. I hoped my example shots would show this. ...
It might also free one of one's preconceptions and biases that are tied to one's usual camera and technique...thus producing as good if not greater work than before. Or even if the images are not great, the experience teaches something about seeing photographically.What do you all think about the possibility that shooting with a poor camera gets worse results because you're not expecting too much. So you don;t try too hard. On the other hand, working with a fine instrument heightens your thinking and expression so you do better? You take more pride in the result.
Couldn’t agree more! I’m a huge fan of box cameras...If a Pulitzer Prize photograph can be captured with a box camera (it has happened!), many of us can do well enough with modest cameras.
Me to, cameras just a tool to give me a negative I can work on.I love gear, any camera gear. I even like to take photographs. But in the end any camera will do and any subject is ok with me. My true passion has always been and will always be in the darkroom. That is where I create, that's where my skill is turning something into even a better photograph. Heck give me an old box camera and I can make it happen in the darkroom. I don't know why and I can't explain any other way but my greatest joy in photography is in developing and printing and doing the impossible. It is amazing what you can do when you take a simple image and turn it into something different.
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