It is the classic 126 camera - square negatives or slides.
Probably the largest selling camera ever, and just about foolproof to use in almost all typical situations.
A camera doesn't have to yield images that "blow up very big" in order to create good or even great photographs.
See this link: http://camerapedia.wikia.com/wiki/Kodak_Instamatic_104
It is the classic 126 camera - square negatives or slides.
Probably the largest selling camera ever, and just about foolproof to use in almost all typical situations.
A camera doesn't have to yield images that "blow up very big" in order to create good or even great photographs.
See this link: http://camerapedia.wikia.com/wiki/Kodak_Instamatic_104
Yes I know but that's like saying Advantix could make nice images...
PE and I went back and forth on this, I forgot to mention to him that I took a roll and shot it recently to prove myself wrong and him right, let me tell you the images are TERRIBLE but I'm going to take my scanner soon and instead of lab scans I'll scan them myself and see if they are any better, but even the 5x7's from the lab look TERRIBLE and I would never use them for anything. So I can't imagine 110 much different, I had a 110 camera as a kid and I've looked at those too and they look the same, all blotchy and "pixelated" it's just terrible. Haha
I admit they didn't make as many good films for those systems as they did for 35mm but damn it's bad LOL
So, I agree to a point but even my 1.2 megapixel digital camera looks better than those advantix shots.
126 is not in the same catagory as 110 or Advantix, it was about the same size as 135mm just square and Nikon and Kodak made decent 126 SLRs. Kodak made a few higher end fixed lens 126 cameras with good lens. I always though the flaw was the plastic cassesstt which could distort in hot weather.
126 is not in the same catagory as 110 or Advantix, it was about the same size as 135mm just square and Nikon and Kodak made decent 126 SLRs. Kodak made a few higher end fixed lens 126 cameras with good lens. I always though the flaw was the plastic cassesstt which could distort in hot weather.
I have seen an absolutely fabulous poster sized (30" x 40"?) print from disk film and a basic Kodak disk camera.
Of what? Grain and blur?
Then what happened ...?
By that, I meant that this was before there were digital techniques available to "enhance" the results - about 1984, I would guess.
Still, you could probably duplicate it onto a larger piece of film and then print that image, giving you a finer grain look than the original image even if it didn't actually increase the quality at all, it would "appear" to be a finer grain than the reality of it all ... basically, old school extrapolation
Nikon made a 126 SLR? I know Ricoh did, and so did Zeiss Ikon and Rollei.
Zeiss Ikon had a couple of 126 cameras. One was a very simple point and click model with a Frontar lens, while another is the more complex "Contaflex 126" -- an SLR with a cloth focal-plane shutter and interchangeable lenses. You can argue easily that the Carl Zeiss-branded lenses were much better than the body.
Rollei had the Rollei A26, which was a push-pull affair similar to the A110/E110 cameras. The A26 has a scale-focus Sonnar lens and a bolt-on flash unit with a sealed rechargeable battery.
The Rolleiflex SL26 is a compact SLR with interchangeable Pro-Tessar front elements (akin to the Zeis Ikon Contaflex 35mm SLRs). It has a Synchro-Compur leaf shutter with match-needle manual exposure.
The camera packs a frightening large number of gears and components into a small body, all just begging for some kind of breakdown.
I think that the Rolleiflex SL26 is the best of the four that I mention here, and the A26 isn't too far behind. I'd really like to test the Contaflex 126, but I've given up on trying to find a working body.
I still have some 126 that I bought several years ago. And I've given some thought to refilling a 126 cartridge with 35mm using this method.
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