Reestablishing the flow can be tough, at least for me. That is why I read these threads. I appreciate the reminder in my otherwise non-photographic life of why I am drawn to this and that.
When it comes to large(ish) format, I am still on by first 25 sheet box of 4x5, after about 3 years. Good start, marginal progression, and then life happened (two or three times, and another coming up).
But those negatives are somehow magical, so I know I will keep getting back to it.
Any film camera will illicit a response from people. Or even get rid of them with the noise it makes. I cleared the decks at Erskine Falls with a humble 67.
Respectfully disagree. The original statement is a projection of a personal situation. There is no causal relationship between the number of tools beyond the minimum necessary and the amount of work that gets done.
My ultimate gadget lust in the '70s was a rifle stock mount, a long lens and a bulk back.
What I would have done with them, I have no clue. Despite that, now that the woodworking bug tickles me, I may have to build a rifle stock mount -- maybe with an attached sign that says, "It *is* loaded, but only with film."
Respectfully disagree. The original statement is a projection of a personal situation. There is no causal relationship between the number of tools beyond the minimum necessary and the amount of work that gets done.
I completely agree. Having all those cameras around often makes me wants to use one or the other and shoot. Seeing them constantly reminds me of the joy they have given me through the past years.
I have found that my enjoyment has increased with the use of large format from 35mm , although I get enormously hot when I figure out I forgot to stop down before exposing the film ... At that point, my language clears the deck.
I agree, though, people show up out of nowhere when I break out the 4x5 or 8x10.